tag:blogger.com,1999:blog-5341518413759188732024-03-05T06:15:20.989-08:00Pg Art GalleryPg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comBlogger71125tag:blogger.com,1999:blog-534151841375918873.post-78576984946013364972012-10-17T04:02:00.000-07:002012-10-17T04:02:21.554-07:00Sanatçılarımızdan Candaş Şişman'ın da yer aldığı 'Ses & Işık' adlı proje Hisar Okulları Kültür Merkezi'nde.<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU7o4RqVqxQGfu-u496DXK3miIzcR8pAPOzQZXfkrY5BKPXKa0zXPiCf-BVtJ6229dVJFt21ZWM2KU3978c2Q2vkw5d6waAZj0Cofi97_E4PeYpycX7j5_5uwUDiAsTFvrPpZ85TuCBWU/s1600/isik&ses.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="451" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU7o4RqVqxQGfu-u496DXK3miIzcR8pAPOzQZXfkrY5BKPXKa0zXPiCf-BVtJ6229dVJFt21ZWM2KU3978c2Q2vkw5d6waAZj0Cofi97_E4PeYpycX7j5_5uwUDiAsTFvrPpZ85TuCBWU/s640/isik&ses.jpg" width="640" /></a></div>
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<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<b><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">HİSAR OKULLARI KÜLTÜR MERKEZİ<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<b><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;"> ‘Ses & Işık’<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<b><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">17 Ekim 2012 Saat: 19.00<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<i><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">Hisar Okulları Kültür Merkezi’nde </span></i><i><span style="color: #1a1a1a; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">koro,
elektronik müzik, görsel tasarım ve mimari olmak üzere bir çok farklı sanatsal
disiplini birbirine bağlayan </span></i><i><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;"> <b>‘Ses & Işık’ </b>adlı proje 17 Ekim gecesi </span></i><i><span style="font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">saat 19.00’da<span style="color: red;"> <b> </b></span><span style="color: #353535;">izleyicilerle
buluşacak. <o:p></o:p></span></span></i></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #1a1a1a; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">En
önemli amacı 20 ve 21. yüzyıl çok sesli koro müziğinin başlıca örneklerinden
oluşturulmuş bir repertuvar ile çağdaş koro müziğinin izleyiciyle
buluşması, bununla beraber çağdaş Türk
bestecilerinin eserlerinin de seslendirilmesi olan </span><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">projede ses, mimari ve görsel sanatlar gibi farklı disiplinler
bir araya geliyor.</span><span style="color: #1a1a1a; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 16.0pt; mso-hansi-theme-font: major-latin;"> </span><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;"><o:p></o:p></span></div>
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<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;">
<span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">İzleyiciye
çok katmanlı, sesli, hareket eden ve nefes alan bir performansın sunulacağı bu projede, T.C Kültür ve Turizm
Bakanlığı’na bağlı olarak 24 yıldır çalışmalarını sürdüren <b>Ankara
Devlet Çoksesli Korosu</b>’nun </span><b><span style="font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">Cemi’i Can Deliorman</span></b><span style="font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-bidi-font-weight: bold; mso-hansi-theme-font: major-latin;"> şefliğindeki 70 kişilik ekibine görsel bir performans da eşlik edecek.
Sahnede yer alacak koronun üzerinde konumlandırılacak </span><span style="font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">kristalize bir buluta benzeyen, mimar
<b>Alper </b></span><b><span style="font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">Derinboğaz</span></b><b><span style="font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;"> </span></b><span style="font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">tarafından tasarlanan form, üzerine
yansıtılan görsellerle adeta canlı bir yapıya dönüşecektir. <b>NOHlab</b> <b>(Candaş Şişman-Deniz Kader)</b> tarafından<span style="color: #353535;">
hazırlanan görsel performansın </span><span style="color: #1a1a1a;">çıkış noktasını koronun seslendireceği eserler
oluşturmaktadır. Görselleştirmede kullanılan v</span><span style="color: #353535;">ideo mapping tekniği ile statik form, hareket nosyonu
kazanır ve bu sayede y</span><span style="color: #1a1a1a;">alnızca sesin
görselleştirmesi kurgulanmaz, aynı zamanda izleyicinin, zaman ve mekan
algısının farklı boyutlarını keşfetmesine ve gerçeklik algısının kırılmasına
olanak tanır. </span></span><span style="color: #141414; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Calibri; mso-bidi-font-size: 16.0pt; mso-bidi-font-weight: bold; mso-hansi-theme-font: major-latin;">Konserde yer alacak eserlerin tınısal bağlantıları ise
<b>Alp Çoksoyluer</b> tarafından oluşturulan özel ses tasarımları ile
sağlanacak, böylelikle içerikteki müzikal stil ve ses atmosferi birbirini
tamamlayan bir bütüne dönüşecektir.</span><span style="color: #1a1a1a; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;"> </span><span style="color: #353535; font-family: Calibri; line-height: 150%; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 13.0pt; mso-hansi-theme-font: major-latin;">Hazırlık aşaması bir yıldan fazla sürmüş
olan etkinlik, hem koro performansı hem de Türkiye’de ulaşılacak izleyici
topluluğu adına bir ilk olacaktır.<o:p></o:p></span></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Ayrıca gecenin başlangıcında Hisar Okulları Kültür Merkezi sergi
salonunda <b>NOHlab</b>’ın çalışmalarından
beşinin yer aldığı serginin de açılışı gerçekleşecek.<o:p></o:p></span></div>
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Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-34919154989047420282012-09-18T03:24:00.000-07:002012-09-18T03:36:17.101-07:00Candaş Şişman'ın da yer aldığı "Müşterekler Zamanı" 15-30 Eylül tarihleri arasında Hollada'da sanatseverlerle buluşuyor.<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span lang="TR" style="font-family: Arial; font-size: 14pt;">Müşterekler Zamanı</span></b></div>
<div class="Body1" style="margin-bottom: .0001pt; margin-bottom: 0cm; mso-pagination: none;">
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<span lang="TR" style="font-family: Arial; font-size: large; mso-ansi-language: TR; mso-font-kerning: .5pt;">Türkiye'den Yeni Medya Sanatı</span></div>
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<span lang="TR" style="font-family: Arial;">"Müşterekler
Zamanı" sergisi Lahey'de (Den Haag,
Hollanda) açılıyor. 15-30 Eylül tarihleri arasinda açık kalacak sergi
amberPlatform/BİS tarafından TodaysArt Festivali (Den Haag) işbirliği ile
gerçekleştiriliyor.<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial;">Sergi Türkiye
Hollanda arasındaki diplomatik İliskilerin 400. yılı kutlamaları çerçevesinde
T.C. dışişleri Bakanlığı tarafından destekleniyor<i>.<span style="font-size: 13pt;"><o:p></o:p></span></i></span></div>
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<i><span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">“Müşterekler Zamanı”</span></i><span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;"> Türkiye’de yeni medya alanında çalışan sanatçıların
eserlerini sunuyor. amberPlatform’un
2012 teması <i>“Parataktik Müşterekler”</i>
temasının bir alt teması olarak, <i>“Müşterekler
Zamanı”,</i> şimdi Müşterekleri dahil eden yeni bir dilsel kategori kullanmanın
zamanının geldiğine vurgu yapıyor.</span></div>
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<i><span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">AmberPlatform/BİS</span></i><span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;"> tarafından <i>TodaysArt
Festival</i> işbirliği ile gerçekleştirilen sergideki eserler temanın farklı
açılımlarını sunuyor. Sergiye paralel olarak iki atölye çalışması, sanatçı
sunumları ve Türkiye’de yeni medya sanatı üzerine bir seminerden oluşan yan etkinlikler
gerçekleştirilecek. Atölyelerden ilki kamusal alanda sanata odaklanan,
Türkiye’li ve Hollanda’lı sanatçıların işbirliğiyle gerçekleştirecekleri bir
çalışma diğeri ise yeni medya pratiğini geliştirmeye yönelik gençleri
hedefleyen bir atölye olacak.<o:p></o:p></span></div>
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<i>'Isofield', Candaş Şişman</i></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Serginin
Küratörleri <i>Fatih Aydoğdu</i> ve <i>Ekmel Ertan</i> <i>"Müşterekler Zamanı"</i> hakkında şunları söylüyorlar:<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">"Türkiye ve
Hollandanın diplomatik iliskilerinin 400. Yılını kutladığı bir çerçevede
Türkiye’den Yeni Medya Sanatı” alt başlığıyla açılan bir sergiden, ilk bakışta
ulusal ya da cografya bağlamına oturan bir sergi beklentisi olacaktır. Sanatçı
olarak kimlerin davet edildiği ya da edilmediği, nasıl bir kapsayıcılığı
olduğu, ya da seçilmiş sanatçıların/işlerin gerçekten bu bağlamı yeterince
temsil edip etmedikleri soruları akla gelecektir. Biz bu çerçevede sınıflayan
ve ayrıştıran herhangi bir bağlamdan kaçınarak, projeyi iki ülke arasında bir
işbirliği bazında değerlendirdik ve konu olarak sadece bu iki ülkeyi değil,
küresel bağlamda da zamanımızın nabzını tutan, sistemsel ve yapısal olarak
önemli gördügümüz, amber'12' nin de teması olan, <i>Müşterekler</i> üzerine eğilmeyi yeğledik.<o:p></o:p></span></div>
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<span style="font-family: Arial; font-size: 11pt;">Bu sergideki
eserlerin üretimi de alışılagelmiş küratoryal sergilerden daha farklı gelişti.
Aynı zamanda amber’12 festivali içinde öngördügümüz </span><i style="font-family: Arial; font-size: 11pt;">“commons / müşterekler”</i><span style="font-family: Arial; font-size: 11pt;"> temasının dinamiği ile de doğrudan ilintili
olarak küratörler ve sanatçılar konu etrafında birlikte çalışarak sergiyi
ortaya çıkardılar. Onbeş günde bir yapılan toplantılarla tema tartışıldı
çeşitli açılımlarının ve bunların sanatsal ifadelerinin ne olabileceği
araştırıldı. Yurtdışında yaşayan sanatçıların çevrimiçi katılımıyla
amberPlatform’da gerçekleşen bu toplantılar, herkes için </span><i style="font-family: Arial; font-size: 11pt;">“Müşterekler Zamanı”</i><span style="font-family: Arial; font-size: 11pt;"> başlığına uyan verimli bir ortak çalışma
süreci oluşturdu. Herkes konuya kendi yaklasımını saptadı, bir birine
önerileriyle yardımcı oldu, çözüm üretti. Bir süre sonra toplantılar kesildi,
sanatçılar işlerini üretmek için atölyelerine çekildiler.</span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Bu sergi
amberPlatform çevresinden davet ettiğimiz, daha önce de birlikte çalıştığımız
sanatçıların yeni işlerinden oluşuyor. Sanatçıların seçimiyle de geniş bir
çeşitlilik yaratmaya çalıştık. Yaş grubu 20’lerden 40’lara kadar değişirken,
serginin neredesye 3 jenerasyona - ama eninde sonunda aslında hepsi yeni medya
jenerasyonuna- ait sanatçıların işlerini içermesi anlamına geliyor. Bazıları
uluslararası alanda tanınan araştırmacı ve sanatçılar iken bir kısmı henüz
sanatçı olarak kariyerinin başında. Bir yandan da hali hazırda uluslararası
sanat çevrelerinde dolaşımda olan sanatçıların yanında az bilinen, genç sanatçıları da
görünür kılmak istedik. İnanıyoruz ki bu seçim izleyiciler için de
ilginç bir çeşitlilik sağlayacak.<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Bu sergide
göreceğiniz eserler çok geniş bir perspektife yayılarak tema ile ilişkileniyor. Bu ilişkilenme
bazılarında daha doğrudan bazılarında daha dolaylı. Müşterekler zamanında nasıl
konuşabiliriz? Sanatçılar bu soruya, sorunun araladığı geniş olasılıklar
dünyasından, farklı kavram ve araçları kullanarak cevap veriyorlar. Ebru Kurbak
aslında bir Faraday Kafesi olan kepçe ile kamusal alan(da) olan ama şifrelenmiş
ve kişisel bilgi taşıyan elektromanyetik çevremize işaret ediyor. Yeni medyanın
da eklemlenmesiyle müştereklerin durumu ne kadar karmaşıklaştı! Toplu-kaşıma
sanatçıyı çevreleyen kültürel geriplana çok güçlü referanslar taşıyor. Ahmet Sertaç
Öztürk Türkçede çok fazla çağrışımı olan kaşınma meselesini alıp yarattığı
toplu kaşınma istasyonları ile sözcüğe yeni çağrışımlar ekliyor. İhlal’le Özlem
Alkış insanlığın en büyük müştereği olan insan haklarını ele alıp, küresel
trajediyi vurguluyor. Özgün Kılıç ve Sedef Aydoğanaklın en müşterek hali,
unutmak ile uğraşıyor. Schönberger’in tezini alıp tamamen soyut bir düzlemde
sergi alanında dijital ile fiziksel olanı içiçe geçiriyor."<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Sergide yer alan
sanatçılar ve işler:<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Bager Akbay -
"Ben Sanatçıyım"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Özlem Alkış -
"İhlal"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Sedef Aydoğan ve
Özgün Kılıç - "........ Unutuldu"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Fatih Aydoğdu -
"Error - Title Included"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Mehmet Erkök -
Dijital Atık Eskicisi"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Ekmel Ertan -
"the3 (theCube)"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Osman Koç -
"Cismani Deneyimler"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Nagehan Kuralı ve
Selin Özçelik ( in-situ) - "Olası Elişi"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Ebru Kurbak -
"Data Catchers"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Ali Miharbi -
"İşaretli Bölgeler"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Ahmet Sertaç
Öztürk - "Toplu Kaşıma"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Onur Sönmez ve
Jaak Kaevats - "Jason Shoe"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Candaş Şişman -
"Isofield"<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Parataktik
Müşterekler temasını daha derinlemesine
tartışmak isteyen izleyiciler <o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">9-18 Kasım 2012
tarihlerinde İstanbul’da 6. kez gerçekleşecek olan <i>amber’12 Sanat ve Teknoloji Festivali</i> ve Konferansını ziyaret
edebilirler. Amber’12 tema etrafında çok sayıda sanatçı ve araştırmacıyı işleri
ile ağırlıyor olacak. Amber’12 müştereklerin ekolojiden sosyal eşitsizliğe, etnik
çatışmalardan yoksulluğa ve geç kapitalizmin yarattığı diğer problemlere ve
özelleştirmeye bir karşı taktik olarak kullanılıp kullanılamayacağını
sorgulayacak.</span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">2007’den beri <i>amberPlatform</i> yeni medya alanında farklı
perspektiflerle çalışıyor.<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">Sanat ve
Teknoloji kesişiminde yıllık bir festival ve konferans düzenliyor. Araştırma ve
üretimi destekliyor. Yeni medya kültürler arası diyaloğu ve sanatsal
değiştokuşu arttıracak bir ağ oluşturmak için uğraşıyor. <i>amberPlatform</i> bir <i>BİS
(Beden-Işlemsel Sanatlar Derneği)</i> projesidir.<o:p></o:p></span></div>
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<span lang="DE"><a href="http://www.amberplatform.org/"><span lang="TR" style="color: #114ee6; font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;">www.amberplatform.org</span></a></span><u><span lang="TR" style="font-family: Arial; font-size: 11.0pt; mso-ansi-language: TR; mso-bidi-font-size: 10.0pt; mso-font-kerning: .5pt;"> <o:p></o:p></span></u></div>
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Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-15374581284035621132012-09-05T09:10:00.001-07:002012-09-05T09:10:39.717-07:00Questioning Purification Through Art<span class="Apple-style-span" style="font-family: 'Trebuchet MS', Trebuchet, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="line-height: 17px;"><br /></span></span>
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<span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 18px; line-height: 16px;"><a href="http://www.labkultur.tv/en/blog/questioning-purification-through-art" style="color: #a36d36; text-decoration: none;">www.labkultur.tv</a></span><br /><br /><span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 18px; line-height: 16px;"><br /></span><span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 18px; line-height: 16px;">Interview with the curator and artists of a group exhibition</span><br /><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><br /></strong></span><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"></span><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Purification is the name of the new group show of 4 artists in <a href="http://pgartgallery.com/" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" target="_blank">PG Art Gallery</a>. The exhibition questions "the function of art" in reference to "mimesis". </strong><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">We talked to the curator, Öznur Güzel Karasu about the reason to choose "purification" as an exhibition concept, what they examine through group exhibitions and the idea of collecting user reviews into a book instead of a catalogue. Each artist answered </strong><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">one question about the concept </strong><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">through their works.</strong></span><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 16px;"></span><br /><div class="content" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; line-height: 1.4em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 30px; padding-top: 0px; position: relative; vertical-align: baseline; word-wrap: break-word;">
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<span style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><a href="http://oznurguzelkarasu.blogspot.com/" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" target="_blank">Öznur Güzel Karasu</a>, the curator</strong> -</span><span style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> </span>As we all know, the function of art is an issue that has generated extensive debate. I actually wanted to leave aside the debates developed from baseless arguments in the Turkish art world and chose to question the interaction between the audience and artworks produced with new mediums and I created the show with this in mind. For me the real questions are: <em style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">“What kinds of effects do artworks that are focused on conceptions have on the audience?”, “How do visitors communicate with an art object?”</em></div>
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<a class="colorbox colorbox-insert-image initColorbox-processed cboxElement" href="http://www.labkultur.tv/sites/default/files/textimages/cadas_sisman_1.jpg" rel="gallery-all" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Artwork by Candas Sisman"></a></div>
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<a class="colorbox colorbox-insert-image initColorbox-processed cboxElement" href="http://www.labkultur.tv/sites/default/files/textimages/cadas_sisman_1.jpg" rel="gallery-all" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Artwork by Candas Sisman"><img alt="Artwork by Candas Sisman" src="http://www.labkultur.tv/en/sites/default/files/imagecache/half_width/textimages/cadas_sisman_1.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; border-width: initial; float: left; font-size: 12px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: baseline;" title="Artwork by Candas Sisman" /></a><br /><div class="caption" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; color: #444444; font-size: 10px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<a class="colorbox colorbox-insert-image initColorbox-processed cboxElement" href="http://www.labkultur.tv/sites/default/files/textimages/cadas_sisman_1.jpg" rel="gallery-all" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Artwork by Candas Sisman">Artwork by Candas Sisman</a></div>
<a class="colorbox colorbox-insert-image initColorbox-processed cboxElement" href="http://www.labkultur.tv/sites/default/files/textimages/cadas_sisman_1.jpg" rel="gallery-all" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Artwork by Candas Sisman"></a></div>
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Especially in recent years, we try to read the exhibition text whenever we visit a show in order to understand the artworks. This became a very natural thing to understand the present artistic productions. I gather the works that may require clues in order to understand but I don’t give any clues and I ask the audience to write down their thoughts about whichever one they like.</div>
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Don’t get me wrong, I don’t intend just to focus on the feelings of the visitors in this exhibition, or I don’t attempt to create a democratic situation in which “everybody says what they think.” My ultimate aim is to enable the audience to engage actively with the artworks that attempt not to directly express their message, but to include the meaning in another mental dimension, and to invite the visitors to think and question. </div>
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With the four artists participating in the exhibition, we will be focusing on the purification function of art and questioning what kind of a transformation artistic productions undergo in the age of simulation and what kinds of effects this has on the audience. We will be seeing the results altogether.</div>
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During the exhibition, I will asking viewers to describe, title or talk about the artworks they are encountering with. Later on, I will be trying to generate a text from these writings. But the results will be determined by the process. Perhaps we will publish the writings as they are; I don’t want to have a set framework right now. However, one thing is clear: the ideas of the visitors will be a part of the exhibition.</div>
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<strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Do you believe in art as a changing instrument, personally or communally? </strong></div>
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<strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><a href="http://sena.atspace.com/Sena_Site/Welcome.html" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" target="_blank">Sena Başöz</a> -</strong><span style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"> </span>Yes, I believe in art as a changing instrument both personally and communally. But this change is not linear and it is not the focal point of my practice. It happens naturally as I make more work, since I am responding to life.</div>
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I have to make it clear that I do not see it as a necessity on a personal level. There are people that just stick with a certain instrumentality of art whose work I admire. Abstract works detached from the physical world are like that, pure minimalism.</div>
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Communal change is inevitable. But, again, it is not a linear change and "the community" is fragmented. Art is not evolving for the better or for the worse.</div>
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<strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Many religions and tribes practice purification as a necessary ritual. Is there any connection when art when is said to be serving as a form of purification? Whatcan art offer for the purification of mankind, or should it emphasize the impurity of mankind? </strong></div>
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<strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><a href="http://keremozan.com/" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" target="_blank">Kerem Ozan Bayraktar</a> </strong><span style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">- </span>The impurity of mankind is not a subject that I can comment on. I don't think art is related to any religious ritual. It is not about ethics, either. It does the opposite, if we have to compare.</div>
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Art always tries to change things and how wee see them. We also know that art is usually defined as unethical or anti-religious by many people, even though it has nothing to do with these kinds of topics.</div>
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I think it is much better to use the concept of mimesis when approaching this show. In this sense, when we think of mimesis through simulation, as the curator did, I can say that, rather than purification itself, today we may be fooled into thinking we are undergoing purification using different kind of representations, as if we are playing a game in which we already know who is going to win in the end. I feel much more like that when I think about contemporary media.</div>
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<a class="colorbox colorbox-insert-image initColorbox-processed cboxElement" href="http://www.labkultur.tv/sites/default/files/textimages/hacer_kirog_lu.jpg" rel="gallery-all" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Artwork by Hacer Kiroglu"><img alt="Artwork by Hacer Kiroglu" src="http://www.labkultur.tv/en/sites/default/files/imagecache/half_width/textimages/hacer_kirog_lu.jpg" style="border-bottom-width: 0px; border-color: initial; border-color: initial; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-style: initial; border-top-width: 0px; border-width: initial; float: right; font-size: 12px; margin-bottom: 0px; margin-left: 10px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; position: relative; vertical-align: baseline;" title="Artwork by Hacer Kiroglu" /></a><br /><div class="caption" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; clear: both; color: #444444; font-size: 10px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<a class="colorbox colorbox-insert-image initColorbox-processed cboxElement" href="http://www.labkultur.tv/sites/default/files/textimages/hacer_kirog_lu.jpg" rel="gallery-all" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Artwork by Hacer Kiroglu">Artwork by Hacer Kiroglu</a></div>
<a class="colorbox colorbox-insert-image initColorbox-processed cboxElement" href="http://www.labkultur.tv/sites/default/files/textimages/hacer_kirog_lu.jpg" rel="gallery-all" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" title="Artwork by Hacer Kiroglu"></a></div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
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<strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">How is an artist able to purify one's inner world through an artwork?</strong></div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><a href="http://hacerkiroglu.blogspot.com/" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" target="_blank">Hacer Kıroğlu</a>- </strong>I can say that it has a purifying effect on me since I experience a very intense process while producing my works, especially during the performative pieces. </div>
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In this regard, art’s purifying effect seems more possible for the artist. But, in general, accepting that an artwork may present a different way of perception and awareness to the audience, I believe it is a little bit exaggerated to expect that the artwork would purify the inner world of a viewer.</div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
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<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Can art be interpreted as an area of questioning? Why would purification be necessary for humankind?</strong></div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 12px; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">
<a href="http://vimeo.com/csisman" style="color: #6c9023; outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;" target="_blank"><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Candaş Şişman</strong></a><span style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">- </span>Of course art can bee seen as an area of questioning. This is, in fact, something related to the artist’s point of view. I think it is important how he or she questions on what and how his or her productions are grounded.</div>
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I think purification is necessary in order to understand the essence of situations and then conceive the whole. Actually, essence and whole are parts of a cycle.</div>
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September 5, 2012</div>
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Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-76769528232281146632012-08-31T00:51:00.006-07:002012-09-14T04:31:42.722-07:00 ARINMA<div dir="ltr" style="text-align: left;" trbidi="on">
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Pg Art
Gallery<o:p></o:p></span></i></b></div>
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<b style="mso-bidi-font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">1-23 Eylül 2012<o:p></o:p></span></b></div>
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<i style="mso-bidi-font-style: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">İnsanın sanat yoluyla içsel
olarak arınması gerçekten mümkün müdür? Yoksa yüzyıllar boyunca çok çeşitli
yönelimlerle şekillenen sanat bugün bu işlevini tamamen yitirmiş midir?<o:p></o:p></span></i></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Aristotales Poetika’da, tragedyanın insanın içsel kötülüklerden
arınması için bir araç olduğunu söyler. O’na göre tragedyanın, dolayısıyla sanatın
görevi, uyandırdığı acıma ve korku duygularıyla izleyiciyi tutkularından ve
acılarından uzaklaştırmaktır. İnsan yaşanılması olanaklı olaylar dizgesinin
taklidi ya da betisi karşısında kendi dünyasına döner, zihinsel ve duygusal bir
sağaltım yaşar. Sanatsal yaratı hem sanatçı için, hem de sonuçlarıyla
izleyenler için arınmanın bir yoludur aslında.<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Görsel sanatlarda, anlatıya ve öğretiye yönelik betimlemelerden,
‘temsil’in ana sorun haline geldiği modernist döneme kadar geçen uzun süreçte,
sanatın arındırma işlevinden giderek koparak, daha çok kendi iç dinamiklerine
dönüş sergilediğini gözlemlemek mümkün. Temelde toplumların felsefi ve bilimsel
transformasyonunun birer yansıması olan bu farklı yönelişler, göstergeler
üzerinden bilgi paylaşımına yönelik üretimlerin gerçekleştiği çağdaş ve güncel
sanat örneklerinde de karşımıza çıkmaktadır. Fizik-gerçek ile kurgu-gerçeğin
sınırlarının silikleştiği, arındırmaktan ziyade sorgulama ve yanılgının giderek
daha fazla ön plana çıktığı günümüz sanatı aslında <span style="mso-spacerun: yes;"> </span>içinde yaşadığımız çelişkilerle dolu evrenin bir yansıması
olarak da karşımızda duruyor. <o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Pg Art Gallery’de <b>Öznur Güzel Karasu</b>’nun küratörlüğündeki ‘Arınma’
başlıklı sergide çalışmalarıyla yer alan <b>Sena Başöz - Nora Krahl</b>, <b>Kerem Ozan Bayraktar</b>,
<b>Hacer Kıroğlu</b> ve <b>Candaş Şişman</b> sanatın arındırıcı işlevi üzerine odaklanırken,
simülasyon çağında sanatsal üretimlerin nasıl bir dönüşüme uğradığına ve
izleyicinin algısı üzerinde ne tür etkilere yol açabileceğine dair bir tür sorgulama
da yapıyorlar. İşlere dair metinlerin yer almayacağı bu sergi süresince,
izleyicilerin tutacakları notlar birer metne dönüştürülecek.<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"> CANDAŞ ŞİŞMAN</span></div>
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<b style="mso-bidi-font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">PURIFICATION</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Pg Art
Gallery<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">September
1<span style="mso-spacerun: yes;"> </span>– 23, 2012<o:p></o:p></span></b></div>
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<i style="mso-bidi-font-style: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Is it really possible to heal
people internally through art? Or has art, which has been shaped by many
different forces throughout the centuries, lost this function today entirely? <o:p></o:p></span></i></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Aristotle mentions in the Poetics that tragedy is a means for
purifying people of internal malice. According to him, the mission of tragedy, and
therefore art, is to free people from their passions and sorrows with feelings
of pity and fear. Following the imitation or depiction of possible sequences of
events, people go back to their own lives and experience a mental and emotional
healing. Artistic creation is, in fact, a tool of purification both for the
artist and for the viewers. <o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">It is possible to observe in the visual arts that, from depictions
based on narration and education to the modernist era where “representation”
became the key problem, art split from its function of healing gradually and
turned toward its inner dynamics. We encounter these different tendencies,
which essentially reflect the philosophical and scientific transformations of
societies, as the examples of contemporary art where knowledge is shared through
signs. <span style="mso-spacerun: yes;"> </span>Contemporary art, in which
the boundaries of physical reality and fictional reality are blurred and where
inquisition and delusion, rather than healing, come to the fore, stand before
us as a reflection of the universe that we live in and all its dilemmas. <o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Contributing artists <b style="mso-bidi-font-weight: normal;">Sena
Başöz - Nora Krahl</b>, <b style="mso-bidi-font-weight: normal;">Kerem Ozan Bayraktar</b>, <b style="mso-bidi-font-weight: normal;">Hacer Kıroğlu</b> and <b style="mso-bidi-font-weight: normal;">Candaş Şişman</b> focus on the healing function of art while
questioning how artistic production has been transformed in the age of
simulation and what kinds of effects these transformations have had in the
perception of the viewer. In this exhibition there will not be any texts discussing
individual artworks. Instead, visitors will be invited to write their own notes. <o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><b>Curator: Öznur Güzel Karasu</b></span></div>
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Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-28209276748497907952012-08-31T00:44:00.002-07:002012-08-31T00:44:22.807-07:00ARS ELECTRONİCA FESTİVAL <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZ2_ryLKDtlEI_EZgmWh-_9oGHlhSjG7vupWBW0Pt-Jt93xGVTCkotUKvOICUIiHQ6xfmlkTX3QIczwkpylnBHTGHJNVVwpz7Uf_W6g3esT1Q1v0TWGjdbvqCL43iKnSUXM8UO2tQkVk/s1600/candas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZ2_ryLKDtlEI_EZgmWh-_9oGHlhSjG7vupWBW0Pt-Jt93xGVTCkotUKvOICUIiHQ6xfmlkTX3QIczwkpylnBHTGHJNVVwpz7Uf_W6g3esT1Q1v0TWGjdbvqCL43iKnSUXM8UO2tQkVk/s640/candas.jpg" width="640" /></a></div>
<span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"><br /></span>
<span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="line-height: 18px;"><br /></span></span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;">DEEP SPACE MUSİC</span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;">NOHlab / Plato Media Lab / Maki Namekawa</span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;">Deep Space Music brings together sound and image, music and computer animation in a way that transforms the projection space into a setting for intimate experiences. In it, Japanese pianist Maki Namekawa will play a program of works by three visionary composers who are also regarded as great thinkers. Her piano co</span><span class="Apple-style-span" style="color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 18px;"></span><br />
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ncert musically celebrates the 60th birthday of Ryuchi Sakamoto (JP) and Philip Glass’ (US) 75th, and commemorates the 100th anniversary of the birth of John Cage (US).<br /><br />Prix Ars Electronica prizewinner Candaş Şişman (TR) and a crew from NOHlab / Plato Media Lab (TR) will contribute an extraordinary live visualization. In order to provide Ms. Namekawa with latitude for spontaneous improvisation, Şişman and friends will be working live in real time, though, in doing so, they’ll have recourse to a repertoire of prepared graphic elements that are the outcome of an intensive process of encounter with the respective pieces of music.<br /><br />Deniz Kader (Art Direction/Visuals, NOHlab )<br />Candas Sisman (Art Direction/Visuals, NOHlab )<br /><a data-hovercard="/ajax/hovercard/user.php?id=100001499469257" href="https://www.facebook.com/bager.akbay.9" style="color: #3b5998; cursor: pointer; text-decoration: none;">Bager Akbay</a> (Team Supervisor & Coding, Plato Media Lab )<br /><a data-hovercard="/ajax/hovercard/user.php?id=521413689" href="https://www.facebook.com/ismail.kasarci" style="color: #3b5998; cursor: pointer; text-decoration: none;">Ismail Kasarci</a>, <a data-hovercard="/ajax/hovercard/user.php?id=661080305" href="https://www.facebook.com/osman.koc.3386" style="color: #3b5998; cursor: pointer; text-decoration: none;">Osman Koç</a>, <a data-hovercard="/ajax/hovercard/user.php?id=751937754" href="https://www.facebook.com/zeynepnal" style="color: #3b5998; cursor: pointer; text-decoration: none;">Zeynep Nal</a>, <a data-hovercard="/ajax/hovercard/user.php?id=1070624603" href="https://www.facebook.com/kaankaner" style="color: #3b5998; cursor: pointer; text-decoration: none;">Kaan Kaner</a> (Coding, Plato Media Lab )<br />Maki Namekawa (Music)</div>
Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-48463941231184702662012-05-16T02:38:00.000-07:002012-05-16T06:32:36.250-07:00dolanbay will participate 'Performing Lines' which is part of the 'Month of Performance Art Berlin' on Saturday 19th.<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #333333; font-family: 'lucida grande'; font-size: 8.5pt;">Performing Lines<br />
Curated by Teena Lange<br />
<br />
grüntaler9 – space towards the performative<br />
Grüntaler Str. 9, 13357 Berlin<br />
S/U Gesundbrunnen<br />
<a href="http://www.gruentaler9.com/"><span style="color: #3b5998; text-decoration: none;">http://www.gruentaler9.com/</span></a><br />
<a href="https://www.facebook.com/Gruentaler9"><span style="color: #3b5998; text-decoration: none;">https://www.facebook.com/Gruentaler9</span></a><br />
<br />
This program is part of the Month of Performance Art Berlin<br />
<a href="https://www.mpa-b.org/"><span style="color: #3b5998; text-decoration: none;">https://www.mpa-b.org/</span></a><br />
<a href="https://www.facebook.com/MPABerlin"><span style="color: #3b5998; text-decoration: none;">https://www.facebook.com/MPABerlin</span></a><br />
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What do drawing, walking, talking, mapping, writing, weaving, printing,
crawling, dancing, observing, singing, thinking, painting, tracing and
storytelling have in common? They all proceed along lines of one kind or
another.<br />
Human beings generate lines wherever they go. Some of these lines are dominant,
straight and clearly visible, others might be conceived as being lines of
resistance, ghostly and meandering. Time is of course a line, but not
necessarily linear in form. Space and place are criss-crossed and inhabited by
lines of various kinds. Inspired by the book “Lines – A brief history” by Tim
Ingold, „Performing Lines“ focuses on the practice of line creation. Experiencing
the relation between movement, knowledge and creation, the invited artists tend
to explore the production and significance of lines through performances,
performative installations and other media.<br />
<br />
Saturday 19th 11am – 11pm<br />
"I Think Not" (Live Performance, 12hours continuously)<br />
dolanbay (Berlin/London/Istanbul) – <a href="http://www.dolanbay.com/"><span style="color: #3b5998; text-decoration: none;">www.dolanbay.com</span></a><br />
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Saturday 26th 9pm – 10.30pm<br />
"between islands"<br />
Maiko Date & Masayo Kazimura (Tokyo/Berlin) –<br />
<a href="http://www.artnews.org/artist.php?i=4227"><span style="color: #3b5998; text-decoration: none;">http://www.artnews.org/artist.php?i=4227</span></a><br />
<a href="http://www.neukoellnimport.de/kajimura/index.htm"><span style="color: #3b5998; text-decoration: none;">http://www.neukoellnimport.de/kajimura/index.htm</span></a><br />
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Sunday 27th 4pm - 5pm<br />
L = (a + t b / t E R ) (Live Performance)<br />
Lisa Stertz (Berlin) – <a href="http://vimeo.com/lllss"><span style="color: #3b5998; text-decoration: none;">http://vimeo.com/lllss</span></a><br />
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Sunday 27th 9pm - open end<br />
"8.bit Synaesthete: a conversation"<br />
James Murphy (Belfast/Berlin)<br />
<a href="http://vimeo.com/murphyjames"><span style="color: #3b5998; text-decoration: none;">http://vimeo.com/murphyjames</span></a><br />
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Monday (Holiday) 28th 11am - 6pm<br />
CD6 Workshop "Performing Lines"<br />
Oona Colliander (Helsinki/Berlin) & Chris MacBlain <a href="https://www.facebook.com/pages/CD6/311324445579085"><span style="color: #3b5998; text-decoration: none;">https://www.facebook.com/pages/CD6/311324445579085</span></a><br />
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Monday 28th 7.30pm<br />
Presentation of Workshop Creations<br />
Talk about Performances with all the artists and invited guests<br />
<br />
and drinks in the F Bar next door...<br />
<a href="https://www.facebook.com/foscafebar"><span style="color: #3b5998; text-decoration: none;">https://www.facebook.com/foscafebar</span></a></span><span style="font-size: 10pt;"><o:p></o:p></span></div>
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</div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-33477211804139698562012-03-28T04:31:00.001-07:002012-03-28T05:29:11.625-07:00Bir Mekanın Tüketilme Denemesi / An Attempt At Exhausting a Place<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHbFlpEA5vvXvucqc2acuv85zJFDia5PJ4chgRiqBppYquuIPuN0nln8DpKF2mJrvCWu_MHdQl1KtbdKnOSRNLfDkgTaoJ1Mv0YT-IzRK7Dh2vQ3PYrCD8SOP4QhlyLz7CwlDgLEnVr-U/s1600/main.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="background-color: #cccccc; color: black;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHbFlpEA5vvXvucqc2acuv85zJFDia5PJ4chgRiqBppYquuIPuN0nln8DpKF2mJrvCWu_MHdQl1KtbdKnOSRNLfDkgTaoJ1Mv0YT-IzRK7Dh2vQ3PYrCD8SOP4QhlyLz7CwlDgLEnVr-U/s640/main.jpg" width="576" /></span></a></div>
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<span style="background-color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">Sanatçılar / Artists: Sibel Horada, Eytan İpeker, Reysi Kamhi, Neşe Nogay</span><br />
<span style="background-color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">Metin / Text: Lara Fresko Organizasyon / Organisation: Jasmine Taranto</span><br />
<span style="background-color: #cccccc;"><br /></span><br />
<span style="background-color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">29 Mart/March - 20 Nisan/April 2012</span><br />
<span style="background-color: #cccccc; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">Pazar - Cuma / Sunday - Friday : 11.00 - 18.00</span><br />
<span class="text_exposed_show" style="background-color: #cccccc; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><br />Hamursuz Fırını, Şair Ziya Paşa Yokuşu No. 13 Kuledibi, Tünel - Beyoğlu İSTANBUL </span><br />
<span class="text_exposed_show" style="background-color: #cccccc; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">Tel:0212 2493843 </span><br />
<span class="text_exposed_show" style="background-color: #cccccc; display: inline; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><br />[Please scroll down for the English text.]<br /><br />Bir Mekanın Tüketilme Denemesi eski Hamursuz fırınının üst katında her biri farklı mecralarda çalışan Sibel Horada, Eytan İpeker, Reysi Kamhi ve Neşe Nogay’ın işlerini bir araya getiriyor. Georges Perec’in aynı adlı kitabından yola çıkarak kendine dönük bir antropoloji ve araştırma çizgisi izleyen işler mekanlarla, eşyalarla ve barındırdıkları hatıralar ve konuştukları dillerle ilgileniyor; olaylardan ziyade durumları irdeliyor. Duvarlarla üçe bölünmüş alanda Reysi Kamhi’nin tuvallerini barındıran üç odalı Evhane aynı zamanda Neşe Nogay’ın babaannesine ithaf ettiği kitabı ve objeleri barındırıyor; ortada Sibel Horada’nın on beş televizyon ekranında alt kattaki matsa makinesini yeniden canlandırdığı yerleştirmesi İsimsiz Makine yer alıyor ve iskeletini gördüğümüz duvarın ardında Eytan İpeker’in deneysel videosu Soyulma [Peeling] var.<br /><br />Reysi Kamhi bir ev mekanı gibi kapatılmış odacıklarının duvarlarına astığı tuvallerinde emlak sitelerinin aslında pek de bir şey göstermeyen görselliğinden faydalanıyor. Mahrem bir mekanın veya deneyimin fotoğraflarının kağıda veya tuvale aktarılması Kamhi’nin pratiğinin önemli bir parçası: Daha önce facebook ve porno sitelerinden bulduğu görselleleri benzer bir muameleye tabi tutmuştu. Fotoğraftan resme geçişte yapılan seçimler, renk skalası, vurgulanan nesneler, beliren ve kaybolan unsurlar ve en önemlisi verilen emek hem bu cimri görselliği zenginleştiriyor; hem de her gün kendimizi o ya da bu şekilde bir kamunun tüketimi için sahnelediğimiz bir sürecin altını çiziyor.<br /><br />Kamhi Evhane yerleştirmesindeki tuvallerde betimlediği kiralık ve satılık ev görüntülerinde kullandığı sıcak tonlar, tanıdık eşyalara yaptığı vurgu ve özellikle bir tuvaline yerleştirdiği kendi köpeğiyle geride bırakılacak bir yaşamın nostaljisini yaşatıyor. Duvara dayanmış, bitmemiş bir tuvalse sıcak renklerin ve düzenli yerleştirmenin bir anomalisi: hem yerleşmişliğin hem de yerinden edilmişliğin ve yersizliğin fazla ve eksik nesnesi olarak duruyor. Kiralanacak veya satışa çıkarılacak olan bu evlerin görüntüleri, eski sahiplerinin veya orada hala yaşayanların çizgili çarşaflarını, rengarenk tepsilerini, geceleri televizyon izledikleri köşelerini ifşa ediyor. Gelecekteki sakinleri için sıcak, tanıdık bir izlenim yaratıyor. Kamhi’nin oluşturduğu kapalı mekanda konuşanlar insanlar değil bu nesneler. İnsanlarsa dış duvarda siyah beyaz bir aile portresinin röprodüksyonunda asılı kalmış, gülümsüyorlar. Tıpkı kiraya ya da satışa çıkarılmış bir evin görüntülerinin misafir ağırladığı gibi, artık işlevini kaybetmiş eski Hamursuz fırını binası da bu sergi vesilesiyle “misafir” ağırlıyor.<br /><br />Orta odada çekmecesi açık duran komodin bir torunun hatıralarını bir babaannenin hatırlayacağı biçimde barındırıyor. Neşe Nogay’ın Babanem adlı yapıtının hikayesi hayatında büyük önem taşıyan bir insanın hatıralarını canlandırmak üzere çıktığı bir yolculukla başlıyor. Nogay eski, soluk fotoğraflara sığınmaktansa eski, soluk hatıraları yeniden kurgulayarak çektiği fotoğrafları, bunlardan yaptığı bir kitabı şekerlemeler ve kuru yapraklarla bir çekmecede saklıyor. Komodinin üzerinde görebildiğimiz buzdolabına konmuş ojelerin ve ten rengi ince çorapların fotoğrafları çekmecenin içeriğine dair ipuçları. Kamhi’nin mahrem mekanların ifşasından yola çıkan yerleştirmesinin ortasında Nogay’ın hatıra çekmecesi, mahremiyetini ancak hatıraların ulaşılmazlığıyla saklıyor.<br /><br />Sibel Horada’nın mekanın orta kısmında yer alan İsimsiz Makine yerleştirmesinde, alt katta bulunan fakat artık çalıştırılmayan; mekana adını verdiği halde artık işlevini yerine getir(e)meyen nesne olan, matsa üreten 21 metre uzunluğundaki devasa makine, parçalanmış bir görsellikle sunuluyor. Bir seri üretim hattını yeniden canlandıran yerleştirmenin hemen karşısında makineden geçmiş matsa şeklinde kağıtlar, son ürünün bir temsili. Bir topluluğun tarihini hatırlamak üzere senenin belli bir döneminde yediği mayasız ve tuzsuz ekmeğini üreten makinenin zamanla hantal kaldığı için tasfiye edilmesi, ekmek yapmak gibi basit bir eylemi küresel sermayenin hızlı ve verimli kollarına bırakmak ve paylaşılan en temel şeylerden birine biraz daha yabancılaşmak anlamına geliyor.<br /><br />Bu eser Horada’nın pratiğinde yeni bir dijital eğilime işaret ettiği kadar, aslında bir topluluğun ortak varlığı olan bir nesneyi parçalanmış bir görsellikle sergi alanına taşımasıyla Hiç Var Olmamış Gibi adlı işini hatırlatıyor. Akbank Sanat’ın zemininde yığılmış, Yıldız Teknik Üniversitesi bahçesinden yeni sökülmüş bir Pavlonya ağacının parçalarından mürekkep bu eser de sanatçının mensubu olduğu bir başka topluluğun kaybını canlandırıyordu. Horada bu kayıpları salt hatıra ya da salt materyel olarak değil, bu süreçte yaptığı söyleşilerle birlikte daha sonra tarihin değerlendirebileceği toplumsal meselelerin delilleri olarak kayıt altına alıyor.<br /><br />Vasıf Kortun Hiç Var Olmamış Gibi için yazdığı katalog metnini şöyle noktalıyordu: “Sanatçı Pavlonya ağacını, hatırlamayı unutanlar kadar ağaca dair hiçbir hatırası olmayanların da zihnine yeniden kazıyor. Ne de olsa Pavlonya, öldürmüyor ama yaşatıyor.” Horada’nın bu kez geliştirdiği direniş, Pavlonya ağacının ekolojik tahribata direnebilen iyileştirici özellikleri gibi malzemesinin içkin bir özelliğine değil, insanın içkin bir becerisine dayanıyor. 1 Nisan Pazar günü mekanda gerçekleştirilecek Matsanı Yap ve Kaç adlı katılımcı bir performans en basit şekliyle ekmek yapmayı yaratıcı bir direniş potansiyeli olarak deneyimlemeyi hedefliyor.<br /><br />Eytan İpeker’in çıplak bir duvarın arkasında gösterdiği deneysel videosu, pratiğinin belirgin örneklerinden biri. İpeker’in bir pianonun sınırlı sayıdaki tuşlarıyla sınırsız sayıda beste üretme imkanı olması düşüncesinden yola çıkarak tek bir kayıttan ürettiği görsel bestelerden biri olan Peeling [Soyulma] adlı parçada siyah üstüne beliren renkler fırça darbeleri gibi görünüyor ama hiçbir zaman birikmiyor. Katmanlarıyla ve dokusuyla tanınan Lucian Freud’un ölümünden sonra onun yapıtlarına yeniden bakmanın ilhamıyla üretilen bu eserde katmanlar uçucu, doku şeffaf. Bu soyutlamanın ardındaki nesne olan piyano hem görsel olarak hem de işlevsel olarak eksik. Nesnelere, makine parçalarına ve maddi kültüre bağımlı hikayelerin arasından geçtikten sonra İpeker’in karanlık ve sessiz odasındaki bu uçucu görüntü bir tefekkür alanı gibi.<br /><br />1 Nisan Pazar günü saat 14.00’de Eytan İpeker mekanda özel bir gösterimle deneysel işlerinden bir seçki gösterecektir.<br /><br /><br />Bu projenin ortaya çıkmasında bize destek olan Tamara Pur, Ruti Meranda, Gina Alkaş, İshak İbrahimzade, Silvyo Ovadya’ya teşekkür ederiz.<br /><br />Serginin kurulumunda emeği geçen Nest mimarlık ofisine, davetiye tasarımını yapan Selin Estroti’ye ve malzeme desteği sağlayan Vasıf Kortun, Fevzi Çakmak, Derya Demir ve Filiz Avunduk’a teşekkür ederiz.<br /><br /><br />---<br /><br /><br />An Attempt at Exhausting a Place brings together the works of Sibel Horada, Eytan İpeker, Reysi Kamhi, and Neşe Nogay at the top floor of the old Matzo Factory. Taking their cue from the eponymous Georges Perec book, the works variously engage with spaces, objects, as well as the memories that they carry and the language they speak. The works, all of which make use of a different media, capture situations that otherwise go unseen rather than events that attract instant attention. In the large space divided into three by walls, the first closed space Homery [Evhane] harbors Reysi Kamhi’s paintings as well as Neşe Nogay’s memory drawer. Sibel Horada’s Untitled Machine [İsimsiz Makine] occupies the middle section with fifteen tv screens set on crates, reanimating the disgarded matzo machine downstairs. Finally behind the skeleton-like wall is Eytan İpeker’s experimental video work Peeling [Soyulma].<br /><br />Reysi Kamhi’s paintings inside a home-like structure with closed off little rooms make use of the limited visuality of real estate images. Transferring images of an intimate space or experience is an important part of Kamhi’s practice, having previously used photographs from facebook and pornography sites as basis for her paintings. The choices made in this transfer from photographic image to paint on canvas; the color scheme, the emphasis on certain objects –those that appear and disappear – and most importantly, the labor that goes into the process enriches these limited images; at the same time highlighting a form of labor we put into exhibiting ourselves for public consumption on a daily basis.<br /><br />In this installation Kamhi creates a sense of nostalgia for memories that have yet to be left behind with the warm colors and the emphasis on familiar objects in her paintings. Her own dog appears in the midst of one canvas as if he’s about to jump onto the carpet in front of the painting. A canvas laid bare against the wall stands as an anomaly to these warm colors and precise hanging – acting as an excess as well as absent object to both a state of being settled and uprootedness. Images of these homes that are for rent or sale reveal their owners’ private lives: striped bedsheets, a colorful tray, the corner of the house where they watch tv at night. In the closed space that the artist creates, it is not the people who speak, but rather the objects. As for the people; they are stuck on the outer wall, in a reproduction of a black and white family portrait, smiling. Just like these homes that regularly host guests, the old Matzo Factory too seems to be hosting visitors on this occasion.<br /><br />In the mid section of Kamhi’s installation we find the memories of a grandmother, stored in a way she would have stored her own memories. Neşe Nogay’s work The One [Babanem] begins with a journey to remember the most important figure in her life. Instead of taking shelter in old discolored photographs the artist depends on her own faded memories; recreating and photographing instances such as nailpolish in the fridge, or tan colored stockings. She displays these on top of a night stand, along with the book that she made with these images, the smallest candies and pot-pourri in a glass sealed drawer. Within Kamhi’s installation that depends on revealing and exposing private spaces, Nogay’s drawer tries to hold on to the memories by way of isolation.<br /><br />Sibel Horada’s Untitled Machine [İsimsiz Makine] occupying the middle section of the space carries the 21 meter long assembly line matzo machine –that, though still gives the space its name, is no longer in use – to the exhibition space, right above its original place. Hung across the many old television screens that bear the fragmented images and sounds of this machine, are pieces of matzo shaped paper which have been run through the machine and hence been impressed with its texture. The machine which used to make the communitys matzo is no longer in use because it’s simply much cheaper to import it. An act that is as simple as making bread is therefore shipped farther and estranged further to its consuming community.<br /><br />Though this work is indicative of a digital turn in Horada’s work, it is reminiscent of an earlier piece entitled As if it never existed in that both installations carry an object, which embodies loss for a community, into the exhibition space in fragmented form. In As if.. pieces of the trunk of a Paulownia tree –recently uprooted from its home in the garden of Yıldız Technical University – lay scattered on the floor, representing the loss of another community the artist feels affinity to. In these works, Horada records these instances not solely as memories (such as the oral histories she conducts for her research) or material but as if they were forensic evidence for social issues to be judged by history.<br /><br />Vasıf Kortun ended his text for As if it never existed as such: “The artist placed the Paulownia right back in the core of the psyche of those who forgot to remember, but also for those who never had a memory of it. Here it does not let die but allows to live.” This time Horada’s form of resistance depends on an innate human ability rather than the inherent ecologically healing quality of the Paulownia tree. In a participatory performance entitled Make Your Matzo and Run that will be held on April 1st, Horada aims to experience the potential of resistance in making bread in its simplest form.<br /><br />An experimental short by Eytan İpeker, shown behind the skeleton-like wall is a distinct example of his works. Taking its basic premise from the idea that one can create infinite compositions from the finite keys of a piano Peeling [Soyulma] bears patches of color on pitch black, like brush strokes that never quite add up. Composed after and with the influence of Lucian Freud –who is known for his layers and textures – the layers are fleeting and the texture transparent. The object behind this abstraction, a piano, is missing both visually and aurally. İpeker’s dark and silent room gives a sense of meditative calmness among the other works that depend predominantly on material culture and objects.<br /><br />On April 1st at 14.00 Eytan İpeker will screen a selection of his experimental shorts.<br /><br /><br />We thank Tamara Pur, Ruti Meranda, Gina Alkaş, İshak İbrahimzade, and Silvyo Ovadya who have supported us in conceiving of and realizing this project.<br /><br />We thank Nest Architecture for their help in construction and installation, Selin Estroti for designing our invitations and Vasıf Kortun, Fevzi Çakmak, Derya Demir, and Filiz Avunduk for providing technical support.</span></div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-67062009290712778352012-03-09T02:49:00.002-08:002012-03-09T14:14:29.230-08:00‘Metropole Bakmak’ / 'A Glance at the Metropolis'<div dir="ltr" style="text-align: left;" trbidi="on">
<span class="Apple-style-span" style="font-family: Calibri; line-height: 24px;">(scroll down </span><span class="Apple-style-span" style="font-family: Calibri; line-height: 24px;">for English</span><span class="Apple-style-span" style="font-family: Calibri; line-height: 24px;">)</span><br />
<b style="line-height: 24px; text-align: justify;">Jak Baruh</b><br />
<span style="font-family: Calibri;"><span style="line-height: 24px;"><b>‘Metropole Bakmak’</b></span></span><br />
<span class="Apple-style-span" style="font-family: Calibri; line-height: 24px;">Büyük kentler,
her açıdan bulundukları ülkelerin özeti gibidir. Sermayenin yoğunlaşmasıyla iş
yaşamının metropollerde toplanması buraları kültürel, sosyal ve ekonomik açıdan
merkezileştirir. Diğer kentlerden, diğer ülkelerden göç alan metropoller,
finans kapitalin kendini koruyabilmesinin koşullarını da içinde barındırır.
İdeolojik manipülasyon en üst düzeyde hissedilir; günün büyük bölümünü iş
hayatında harcayan kitleler kendilerini şanslı hisseder. Metropoller <a href="http://www.blogger.com/blogger.g?blogID=534151841375918873" name="_GoBack"></a>yalnızlaştırır. Dört bir yanı insanlarla çevrili olsa da yalnızdır
kent insanı; devasa binalarda, katedrallerin içinde tanrısal bir güçle
ezilenler gibi hisseder kendini. O binalarda yükselmenin hazzından başka bir
haz alamaz olur zamanla. Olmadık duygular yaşatır; insana tıpkı yeraltı
edebiyatından fırlamış bir roman kahramanı gibi hissettirir kendini: Küfürbaz,
bıkkın, ifadesiz…</span><br />
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<span lang="TR" style="font-family: Calibri;">Ama her
zaman istenildiği gibi gitmez işler. Sadece maddi değil, duygusal sömürünün de
had safhada olduğu bu yaşam alanlarında sokaklar çok taraflı tehlikelere
gebedir. Hiç hesapta olmayan mücadeleleri doğurur. Güncel dünyada sadece
kapitalizmin değil, en büyük başkaldırıların da merkezidir metropoller. Bir
şeyleri kökünden sarsacak hareketlerin kıvılcımları kentin sokaklarından çıkar.
İnsan birden bire amansız bir mücadelenin içinde buluverebilir kendini. <o:p></o:p></span></div>
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<span lang="TR" style="font-family: Calibri;">‘Metropole
Bakmak’, güncel dünyanın gidişatına dair ipuçlarını görmemizi sağlar. Olan
bitene uzaktan bakmak bazen ağtıllaştırmaz izleyenleri; içine çeker, harekete
geçirir. Uzaktakileri yakınlaştırır, benzeştirir. Jak Baruh da kıtalar
ötesinden, New York’tan bakıyor güncel dünyaya. Çok uzaklardaki sokakları,
binaları, insanları ve mücadeleyi yakınlaştırıyor. Tanık olduklarına bizleri de
tanık ediyor… <o:p></o:p></span><br />
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<span class="Apple-style-span" style="font-family: Calibri;"> - - -</span></div>
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<b>Jak Baruh</b></div>
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<span style="font-family: Calibri;"><span style="line-height: 24px;"><b>'A Glance at the Metropolis'</b></span></span><br />
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<span style="font-family: Calibri;">Big cities always
encapsulate the substance of the country they are part of. The accumulation of
the financial capital and the agglomeration of the business life in
metropolises make these cities cultural, social and economic centers. Metropolises,
as focal points of human migration from other cities and other countries, also
contain conditions for the financial capital to protect itself. The ideological
manipulation is at the utmost level, and people who spend most part of the day
in working life deem themselves lucky. Metropolises trigger loneliness. The
urban dweller, though surrounded by many people, is lonely; in colossal
buildings, they feel oppressed as the ones under a divine power in cathedrals. They
gradually cannot experience any pleasure in those buildings other than the one
of getting higher and higher. These places engender irrelevant feelings; feelings
that would be more relevant for novel characters of the underground literature:
foul-mouthed, weary, and apathetic…<o:p></o:p></span></div>
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<span style="font-family: Calibri;">Things may always go awry. In
these life spaces where both material and emotional exploitation is the rule,
many dangers abound in streets, leading you to most unpredictable struggles. Metropolises
are in today’s world centers of not only capitalism, but also of greatest
rebellions. City streets inseminate the movements undermining the whole system.
Suddenly you can find yourself in an unrelenting fight.<o:p></o:p></span><br />
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<span style="font-family: Calibri;">“A Glance at Metropolis” provides
us with clues about the way things are going in contemporary world. Contemplating
from a distance sometimes does not mean inertia, and may attract and move the
viewer. It may encourage the viewer to get closer with people at the far end.
Jak Baruh looks at the contemporary world from beyond continents, from New
York. He brings to our perspective faraway streets, buildings, people and
struggles; and in sharing them, makes us witnesses of what he sees there.<o:p></o:p></span><br />
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<span lang="TR" style="font-family: Calibri;">Öznur GÜZEL KARASU<o:p></o:p></span></div>
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<span lang="TR" style="font-family: Calibri;">Şubat 2012<o:p></o:p></span></div>
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</div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-66041483848459482722012-03-04T05:12:00.003-08:002012-03-04T05:14:46.034-08:00(Un)common Ground<div dir="ltr" style="text-align: left;" trbidi="on">
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(Un)common Ground brings together a group of London and Berlin based artists featuring new work<br />
reflecting the diversity of approaches in contemporary practice.<br />
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<b>Peggy Atherton</b> is a London based artist working with road kill, found animals and insects in a wide<br />
variety of processes and materials. She produces objects, which are both funereal and celebratory. A<br />
complex relationship that is particularly pertinent with regards to global ecology and our impact on the<br />
environment. Recent shows consist of Unit 24 London July 2011, Kate MacGarry Gallery, London. She<br />
represented London in Whatʼs New from London at the Orion Art Gallery Belgium. Wake, London Gallery<br />
West and Mini Museum, a touring exhibition featured at the Port Elliot Literary Festival.<br />
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<b>Maria Bartolo</b>ʼs work consists of discrete, situation based gestures that operate somewhere between<br />
performance and life. Projects include Handbag Art at The De La Warr Pavilion, Subway Sect a 6 part Art<br />
/Music radio show (in conversation with Jim Lambie, Hayley Newman, Nathaniel Mellors, Dan Fox, Kevin<br />
Shields and Primal Scream) and work shown at Tate Britain Curatorial Symposium in association with the<br />
Liverpool Biennial.<br />
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<b>Dolanbay</b>; via a three-fold focus on artists, art and life, dolanbay has been investigating art theories and<br />
coherent practices consecutive of the historical changes that shape contemporary art. Consequently, he has<br />
produced series of paintings and performative installations evolving a new aesthetics, negating the<br />
dichotomy of Performativity & Constativity, Actuality & Potentiality and Act & Acting within the mode of<br />
creation. His solo shows were “Heavy Paintings” in Meinblau/Berlin 2009 and „Heavy Paintings – Beyond<br />
Traces“ in PG Art Gallery/Istanbul 2011. In 2011 he started a series of performative installation projects<br />
called „Untitled Act“ and “ACT//ING”.<br />
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<b>Annie Davey</b> uses empirical research and the story as means to re think how histories are made and re<br />
made, and to play out the continual shifts between our understanding of the past and its renewal or<br />
refurbishment. Recent exhibitions include Performance as Publishing, South London Gallery, Press Release<br />
at BolteLang, Zurich, curated by Form Content and Elastic Frames at Transmission Gallery, Glasgow,<br />
curated by Corin Sworn.<br />
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<b>Tayfun Erdoğmuş</b> is a professor, painter and an artist working against today's zeitgeist of massproduction<br />
and mass-consumerism. His works take much from his Ottoman visual and aesthetic past filled<br />
with calligraphy and put forth all that is beautiful and masterly. He works in a magical way where he does not use the slightest tint of paint yet manages to create painfully labor-intensive canvases of emerald greens,<br />
rich browns and pale beiges and where flowers and leaves and all that is from nature make up the alphabet<br />
of his sacred texts.<br />
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<b>Ben Joiner</b>ʼs recent work has been a search for place, away from the palpable and pragmatic towards the<br />
theatre, uncertainties and specters of the psyche. Exploiting the associative relationships suggested by both<br />
the form and color, the readings are both, suggestive, disturbing and humorous. Exhibitions include AVA<br />
Metropolitan Gallery Cape Town, Harry Zellweger Gallery Basel and he has work in the Arts Council and<br />
Contemporary Art Society collections.<br />
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<b>Natasha Kidd</b>ʼs work involves the production of machines or systems that paint. No matter how rigorously<br />
designed these systems or machines are they become something that can never be fully anticipated. When<br />
the systems are stopped, the paintings act as a memory of their own production. When it dries on the<br />
surface the paint seems to capture the moment of its own previous liquidity. Exhibitions include New<br />
Contemporaries at the Liverpool Biennale, In with the New, at Camden Arts Centre, London, Playing Fields at the Laing Gallery, Newcastle and Flow and Return at the Lowry, Manchester. Natasha was the winner of the Celeste Painting Prize in 2006.<br />
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<b>Stephan Mörsch</b> sculptures are reconstructions of real buildings mostly in the scale of 1:10. Seemingly<br />
inconsequentlal forms of architecture such as raised hides, beach huts, air-raid shelters and allotment<br />
buildings outside the realm of professional designs. The reconstructions tell about their builders mind-set<br />
and different occupations of space under certain social and political circumstances.<br />
Stephan Mörsch has shown at Kunstverein Hannover, Kunsthalle Düsseldorf, Santral Istanbul, Ludwigforum Aachen and Museum Marta Herford<br />
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<b>Raine Smith</b>ʼs images Camden Floor look at order and control in space/place, but perhaps most<br />
importantly they hint at an obsessive striving for ʻfinishʼ. He has been showing work since 1996, with shows<br />
at Camden Arts Center London, The National Glass Center, Sunderland and the ICA London.<br />
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<b>Kerry Stewart</b> Figurative sculptures! … Animal and beast performances! … Now…screenprints!<br />
Kerry Stewart has shown at Tate Britain, Tate Liverpool, PS1 (New York), Scottish National<br />
Gallery, Museum of Modern Art, Hayward Gallery, Berlinische Galerie, Chicago Museum of Contemporary<br />
Art, ICA (London) and CCA (Glasgow).</div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-85768252462015376122012-02-17T03:19:00.000-08:002012-02-17T03:19:14.315-08:00: Simulasyon Krizi<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">: Simülasyon Krizi (Bayraktar, Erdenli), Plato Sanat’ın yerel sanat ortamımız içerisinde önemli estetik ve kavramsal konumlar oluşturan çağdaş sanatçıları sunduğu Konumlar adlı sergiler dizisinin ilkidir. </span><br />
<span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><br /><br />: Simülasyon Krizi (Bayraktar, <span class="text_exposed_show" style="display: inline;">Erdenli)’de Kerem Ozan Bayraktar, illüzyon ve simülasyonu kullanarak dünyamıza farklı bir açıdan yeniden bakmayı amaçladığı fotoğraf ve video işlerini sergiliyor.Orhun Erdenli büyük boyutlu hiperrealist resimlerini ve Steampunk estetiğine göre yaptığı makine benzeri objelerinden oluşan bir serisini sergiliyor. Sanatçı, hem resimlerinde hem de objelerinde, varoluşunun içinde bulunduğu korkunç durumu anlamlı kılmak için uğraşan postmodern insanın inanma, umut ve simülasyona duyduğu ihtiyacı sorgular.<br /><br />Bu nedenle : Simülasyon Krizi (Bayraktar, Erdenli), toplumun içinde yaşadığı gerçekliği temsil etmeyi amaçlayan, simüle edilmiş imgelere olan inancını incelemektedir, zira iki sanatçı da küresel politik, ekonomik ve ekolojik kriz döneminde mantık ve anlam bulmak için çabaladığımız dünyamızda simülasyona duyduğumuz ihtiyaç ve arzuyu tartışırlar.<br /><br />Sanatçılar: Kerem Ozan Bayraktar, Orhun Erdenli<br />Küratör: Marcus Graf</span></span><br />
<span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><span class="text_exposed_show" style="display: inline;"><br />-----<br />: Simulation Crisis (Bayraktar, Erdenli) is the first exhibition in a series of shows called Positions, where Plato Art Space presents contemporary artists, that form important aesthetical and conceptual positions within our local art scene.<br /><br />In : Simulation Crisis (Bayraktar, Erdenli), Kerem Ozan Bayraktar exhibits photo and video works that aim at reviewing our world from an alternative angle using illusion and simulation.<br /><br />Orhun Erdenli exhibits large hyper-realistic paintings and a series of machine-like objects that are built according to the aesthetic of Steampunk. In both, his paintings and objects, the artist questions postmodern man’s need for belief, hope and simulation, where we all try to give meaning to the disastrous state of our existence.<br /><br />: Simulation Crisis (Bayraktar, Erdenli) reviews therefore society’s belief in simulated images that aim at representing the reality we live in, as both artists discuss our need and lust for simulation, where we try to find logic and meaning within our world in times of global political, economic and ecological crisis.<br /><br />Artists: Kerem </span></span><span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;">Ozan</span><span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"> Bayraktar, Orhun Erdenli</span><br />
<span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><span class="text_exposed_show" style="display: inline;">Curator: Marcus Graf<br /><br /><br />0212 444 76 96<br />info@platosanat.org.tr</span></span><br />
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<span class="Apple-style-span" style="border-collapse: collapse; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px;"><span class="text_exposed_show" style="display: inline;"><br /></span></span></div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-870459846863408922012-02-07T06:05:00.000-08:002012-02-07T06:15:58.940-08:00ACT // ING<div dir="ltr" style="text-align: left;" trbidi="on">
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<i><span class="Apple-style-span" style="font-size: small;">A PERFORMATIVE INSTALLATION by DOLANBAY & NIKHIL CHOPRA</span></i></div>
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<span class="Apple-style-span" style="font-size: small;">Meinblau – House of Arts Berlin // Pfefferberg Christinenstr. 18/19 // U2 Senefelderplatz www.meinblau.de</span><br />
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<span class="Apple-style-span" style="font-size: small;">Sat-Mon 17th-19th December 2011 // 6pm – 6pm (48hours continuously)</span></div>
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<span class="Apple-style-span" style="font-size: small;"><i><span class="Apple-style-span" style="font-size: small;">Curated by TINA LANGE</span></i></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: small;">Acting is a structural form imitating the world. Act is a space emptied of the factitious and the fictitious. It does not clash with authenticity but replaces coherences with the illusory world of the „truth“. A performance, however, exists by virtue of its execution in the live moment.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: small;">For two nights and two days, dolanbay and Nikhil Chopra, will continuously cohabit the Meinblau gallery to collaboratively create a performative installation. The artists enter into a time zone parallel to the mundane, experiencing empirical journeys and questioning the notion of activity and passivity in the mode of creation. The liminal experience allows an actual being in the experience. Their work constitutes a migration of performance as a time-based medium to a timeless one while simultaneously maintaining the real-time grammar of the performative act.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: small;">The entire space becomes a playground for drawing, painting, sculptural exercises and more, a kind of laboratory where the question of failure or success does not apply. The empty white cube becomes a site, a private as much as a public space filled by expectations and imaginations. It hosts a set of artistic practices, which take as their theoretical and practical point of departure the whole of human relations and the awareness of self-reflexivity.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: small;">The contemporary form of modernity is haunted by the occupancy of performativity, hence making a work involves the invention of a process of presentation. In this kind of process, the image is the act.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: small;">All are welcome at anytime day or night</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: small;">This performance has been made possible by support from the International Research Center “Interweaving Performance Cultures” at the Freie Universität Berlin http://textures-platform.com</span></span></div>
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<span class="Apple-style-span" style="font-family: Arial;"><i><a href="http://vimeo.com/34895490" target="_blank">Performance video</a></i></span></div>
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<span class="Apple-style-span" style="font-size: small;"><b>dolanbay<span class="Apple-tab-span" style="white-space: pre;"> </span></b><span style="font: normal normal normal 9.8px/normal Arial;">//<a href="http://www.dolanbay.com/" target="_blank"> www.dolanbay.com</a></span></span><br />
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<span class="Apple-style-span" style="font-size: small;">dolanbay lives and works in Berlin and London, has studied 3D Design and Mixed Media Fine Art in the UK. He has exhibited and performed in numerous group shows in London, Istanbul and Berlin. His first solo show in 2009 in Meinblau in Berlin was titled “Heavy Paintings” and the solo show in 2011 in PG Art Gallery in Istanbul was titled „Heavy Paintings – Beyond Traces“. In 2011 he has started a series of performative installation projects called „Untitled Act“.</span></div>
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<span class="Apple-style-span" style="font-size: small;">Via a three-fold focus on artists, art and life, dolanbay has been investigating art theories and coherent practices consecutive of the historical changes that shape contemporary art. Consequently, dolanbay has produced series of paintings and performative installations evolving a new aesthetics, negating the dichotomy of Performativity & Constativity, Actuality & Potentiality and Act & Acting within the mode of creation.</span></div>
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<span class="Apple-style-span" style="font-size: small;">“Knowledge feels like snowflakes, melting away when falling into my palms, I end up with its traces, slowly disappearing into nothing. It always feels I am about to grasp it, if it’s not the warmth of the body eliminating its materiality. I end up with having something and / or nothing in the air to follow, hence seeking for knowledge becomes an endless</span></div>
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<span class="Apple-style-span" style="font-size: small;">journey.”<span class="Apple-tab-span" style="white-space: pre;"> </span></span></div>
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<span class="Apple-style-span" style="font-size: small;">dolanbay</span></div>
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<b><span class="Apple-style-span" style="font-size: small;">Nikhil Chopra</span><span style="font-size: small; font: normal normal normal 10.8px/normal Arial;"><span class="Apple-tab-span" style="white-space: pre;"> </span>//<span class="Apple-tab-span" style="white-space: pre;"> <a href="http://www.nikhilchopra.net/" target="_blank">www.nikhilchopra.net </a></span></span></b><br />
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<span class="Apple-style-span" style="font-size: small;">Is a Mumbai-based artist, living and working in Berlin since March 2011 on a year-long Fellowship at the International Research Center “Interweaving Performance Cultures” at the Freie Universität Berlin. During this time Nikhil has been running a performance-space in Wedding called Grüntaler 9, where he also invites other artistic collaborations.</span></div>
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<span class="Apple-style-span" style="font-size: small;">He studied Fine Arts in India and USA. Nikhil Chopra has been working in the medium of live art since 2002. He works at the boundaries between theatre, performance art, painting, photography and installation. He devises fictional characters that draw on his own personal history and memory. He inhabits these characters in largely improvised performances that last up to few days.</span></div>
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<span class="Apple-style-span" style="font-size: small;">He was invited to the KHOJ International Performance Art Residency in Delhi and Kashmir in 2007, and to the Kunstenfestivaldesarts’ Residence & Reflection project in Brussels in 2009. He has performed at the Serpentine Gallery in London (2008), the Astrup Fearnley Museum in Oslo (2009), Yokohama Triennale and the Mori Art Museum in Tokyo (2008), Kunstenfestivaldesarts in Brussels (2009), at Performa in the New Museum in New York (2009), at the Museum of Contemporary Art in Chicago (2010), at the 53rd Venice Biennale (2009), during the Manchester International Festival (2009) and at the Centre Pompidou in Paris (2011).</span><br />
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<b><span class="Apple-style-span" style="font-size: small;">Tina Lange</span></b></div>
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<span class="Apple-style-span" style="font-size: small;">Tina has studied Theatre and Performance Studies in Leipzig, Paris and Berlin.<span class="Apple-tab-span" style="white-space: pre;"> </span>Currently she is pursuing her PhD on Contemporary Performance Art as a research associate at the International Research Center “Interweaving Performance Cultures” at the Freie Universität Berlin. She has been engaged in Nikhil Chopra and dolanbay’s work since 2008.</span></div>
</div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-87213428634826536082011-11-10T06:22:00.000-08:002011-11-10T06:22:56.228-08:00Ayşe Gül Süter 'Analogue versus Digital' sergisiyle Barselona'da...<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><br /></span></div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-35413590211336624412011-11-02T05:43:00.000-07:002011-11-02T06:42:18.439-07:00<div style="text-align: left;"><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;">DOLANBAY</span></span></span></b></div><div style="text-align: left;"><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;"><br /></span></span></span></b></div><div style="text-align: left;"><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;"></span></span></span></b><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;">‘</span></span></span></b><b><span style="font-family:Tahoma;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;">Heavy Paintings - Beyond Traces</span></span></span></b><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;">’</span></span></span></b></div><div style="text-align: left;"><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;"><br /></span></span></span></b></div><div style="text-align: left;"><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;"></span></span></span></b><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="color:#333333;">15 Kasım – 17 Aralık 2011</span></span></span></b></div> <p class="MsoNormal"><span lang="TR"><o:p><span class="Apple-style-span" style="color:#333333;"> </span></o:p></span><i><span lang="TR" style="font-size:10.0pt;mso-bidi- Times New Roman";mso-ansi-language:TRfont-family:";font-size:12.0pt;"><o:p><span class="Apple-style-span" style="color:#333333;"> </span></o:p></span></i></p> <span class="Apple-style-span" style="color:#333333;"><br /></span><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS1NHqde9dVvDhPMVaqw1fPUu-CvPYhf63YJ4uhh_BZ5N1Yk81aSXqwI_PaQ_KBi1AuHZo5FlOBsQqktWWQ0Drn19JAMEj301MQYQkLLHhXaVimIIqaK7Nn1A0ul6Prpi6-QDEf3iufXg/s400/pg-exb.4.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5670379732003117890" /><p class="MsoNormal" style="text-align:justify"><i><span lang="TR" style="font-family:";"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">‘Bilinç, avuç içine düşen kar taneleri gibidir, kısa bir süre sonra erir; önce avucunuzda bir ıslaklık kalır, sonra kuruyup geldiği gibi gider. Her seferinde geriye “şey” ile “hiç” arasında izler bırakır, yaşam boyunca arkasından gidilen.’</span></span></span></i><i><span lang="TR" style="font-family:";"><span class="Apple-tab-span" style="white-space:pre"><span class="Apple-tab-span" style="white-space:pre"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-tab-span" style="white-space:pre"><span class="Apple-style-span" style="font-size:medium;"> </span></span></span></span></span></span></i></p><p class="MsoNormal" style="text-align:justify"><i><span lang="TR" style="font-family:";"><span class="Apple-tab-span" style="white-space:pre"><span class="Apple-tab-span" style="white-space:pre"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-tab-span" style="white-space:pre"><span class="Apple-style-span" style="font-size:medium;"></span></span></span></span></span></span></i><i><span lang="TR" style="font-family:";"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">dolanb</span></span></span></i><span lang="TR"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">ay</span></span></span></p><p class="MsoNormal" style="text-align:justify"><span lang="TR"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></span></p><p class="MsoNormal" style="text-align:justify"><i><span style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">Dolanbay, Türkiye’deki ilk kişisel sergisiyle </span></span><b><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">Pg Art Gallery</span></span></b><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">’de izleyicilerin karşısında.</span></span></span></i></p><p class="MsoNormal" style="text-align:justify"><span style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">İngiltere’de gördüğü sanat eğitiminin ardından çalışmalarını Almanya’da sürdüren Dolanbay, çağdaş sanatın günümüz resim estetiğini araştıran görsel dil çalışması </span></span><b><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">‘Heavy Paintings’</span></span></b><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> ile Türkiye’deki sanatsevelerle bir araya geliyor. </span></span></span><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">Bu çalışma, çağdaş sanata yön veren dönemleri ‘sanatçı’, ‘sanat’ ve ‘yaşam’ üçleminde inceleyip, tarihsel değişimlere paralel ortaya çıkan sanat teorilerini, döneminin sanata etki eden faktörleriyle ilişkisel olarak araştırır.</span></span></span></p> <p class="MsoNormal" style="text-align:justify"><span style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">‘Heavy Paintings’ten 2007-2008 yıllarında ürettigi ‘Emotion in Translation’ ve 2009 yılında başlattığı ‘Performative Journeys’ serilerinden çalışmalarının yer alacağı sergide sanatçının “Untitled Act” adlı performanslarının videoları da tuallerine eşlik edecek.</span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><i><span lang="TR" style="font-family:";"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">‘Bilinç adına çıkılan her yolculukta karşımıza boşluklar çıkar; bilinmeyenlerdir bu boşluklar.’<o:p></o:p></span></span></span></i></b></p> <p class="MsoNormal" style="text-align:justify"><span style="font-family:Calibri;"><o:p><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span></o:p></span><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">Boşlukları görselleştirmek adına felsefi bilinç akışıyla resim pratiğinde çıktığı bir yolculuğun serisi olan </span></span></span><b><span style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">‘Emotion in Translation’</span></span></span></b><span style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">da </span></span></span><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">sanatçı, genelin farkındalığıyla kendini diyalektik bir bütünün parçası olarak algılar ve gerçeği anlamak ve tanımlamak adına kendinden; bilmek adına bilmemekten, algı ve duygu gerçeğinden yola çıkar.</span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><span lang="TR" style="font-family:Calibri;"><o:p><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span></o:p></span></b><b><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">‘Performativ Journeys’</span></span></span></b><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> serisi ise, resim sanatının çağımız estetigini, performatif zaman diliminde tekrarlanan “act” olgusu olarak betimler. Bu çalışma resimde alegoriyi, represantasyonu ve öznelligi ret etmiştir; hikaye anlatmaz, gerçeği yorumlamaz, izleyicisinden de yorum talep etmez. Onları liminal bir tecrübeyle baş başa bırakır. Boyayla sürekli tekrarlanan act olgusu her marjinal zaman diliminde</span></span><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">tuval üzerinde şekilli/şekilsiz formlar oluşturur. Oluşan formlar ve sanatçının iç diyaloğu arasındaki karşılaşmalarla yaşanan liminal tecrübe, resmetme sürecini yönlendirir. Süreç hiç bir iddiayla başlamaz. Bilinenler bilinmeylere, kullanılan malzeme ise en yalın haline indirgenir. Sanatçı kendinden önceki dönemlerin ve kendi döneminin egemen sanat anlayışlarını kavramış olmakla beraber önceden tanıdığı hiç bir formu ve önceden belirlenmiş hiç bir kriteri referans olarak almaz; act etken bir süreç içinde kendiliğinden oluşan formlar ile sanatçının kendi bilinç akışını esas alarak dış gerçeklikler arasında kurduğu ilişki sonucu süreç içerisinde tuval yüzeyinde öznel olmayan bir içerik oluşur. Oluşan içerik sürecin bitiminde arta kalan kalıntıdir. ‘ Act’ olgusuyla üretilen sanat gerçeğin represantasyonu değil, üretimle özdeşleşmiş gerçeğin kendisidir.</span></span></span></p><p class="MsoNormal" style="text-align:justify"><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></span></p> <p class="MsoNormal" style="text-align:justify"><span lang="TR" style="font-family:Calibri;"><o:p><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span></o:p></span></p><p class="MsoNormal" style="text-align:justify"><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"><o:p></o:p></span></span></span><span class="Apple-style-span" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span></span></p> <p class="MsoNormal" style="text-align:justify"><b><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">Dolanbay </span></span></span></b><span lang="TR" style="font-family:Calibri;"><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;">1997-1998 yilarinda, University of Central England, Birminghamda 3D Design, 1998 – 2002 yıllarında, University of Westminister, Londra’da Mixed Media Fine Art okudu. Aynı dönemde Berlin Sanat Akademisine (UDK) ziyaretlerde bulunarak “Yeni Alman Resmi” dönemini inceleyip “Yeni Alman Resmi ve Sosyal Politikal İlişkisi” başlıklı araştırma yazısı yazdı. 2005 yılında bir grup sanatçıyla birlikte Berlin’de, ticari olmayan bir proje mekanı organize etti. “A” Projesi adı altında bağımsız projeler hazırlayıp, sanat platformları oluşturdu. Londra ve Berlin’de ortak projelerde sergiledi. İlk kişisel sergisini 2009 yılında “Heavy Paintings” adıyla Berlin Meinblau Galerisi’nde açtı. Çalışmalarına Berlin’deki atölyesinde devam etmektedir.<o:p></o:p></span></span></span></p> <p class="MsoNormal" style="text-align:justify"><span lang="TR" style="font-family:Calibri;"><o:p><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span></o:p></span></p> <p class="MsoNormal" style="text-align:justify"><span lang="TR" style="font-family:Calibri;"><o:p><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span></o:p></span></p> <p class="MsoNormal" style="text-align:justify"><span lang="TR" style="font-family:Calibri;"><o:p><span class="Apple-style-span" style="color:#333333;"><span class="Apple-style-span" style="font-size:medium;"> </span></span></o:p></span></p> <div style="mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.0pt; mso-border-bottom-alt:solid windowtext .75pt;padding:0cm 0cm 1.0pt 0cm"> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> <p class="MsoNormal" style="text-align:justify;border:none;mso-border-bottom-alt: solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="TR" style="mso-ansi-language:TR;font-family:Calibri;"><o:p> </o:p></span></p> </div> <!--EndFragment-->Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-80573901093338498332011-09-02T06:23:00.000-07:002011-09-02T06:29:37.550-07:00'Tekinsiz Oyunlar' Ayşegül Oğuz'un kaleminden Milliyet Sanat'ta...<div>
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<br /></div></div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-19812116815286586682011-08-14T05:55:00.000-07:002011-08-14T08:42:04.834-07:00Pg Art Projects sunar...<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1yEVbtROHzXdjYNqFcSu6_GD3kWboFPsc8MgTrmUTfOcJ1BPqapAYCvsGavg1YDoP8U3lGoHuXFMuYBLPTaZ2UrPc7UEWlNDG6-h-KKPbBvv-jdT9Zv4TfuVNisc0Wz0sBm65BFKogo8/s1600/KART+KUTU-turuncu.jpg">
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<br /><div><img style="text-align: center;display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; cursor: pointer; width: 267px; height: 400px; " src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKFbkxhXBM6EkUHaZ1WPzvUDTE7CGpFUFIX91qsv7i7Zr-Bl1J7yguGXKmDJeXSW5b0TfbFyo6NLT92xZsQcX8WN4fP8JfsRpkIiaR_YuS7srRiCTdoSpGF8Zu1sseJDbFH8jy4UZjXM4/s400/Tahtakale+Hamam%25C4%25B1.jpg" alt="" id="BLOGGER_PHOTO_ID_5640695088350201394" border="0" /><div style="text-align: justify;"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">
<br /></span></span></span></div><div style="text-align: center;"><p class="MsoNormal" style="text-align: center;margin-top: 0cm; margin-right: -31.55pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; "><b><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">‘TEKİNSİZ OYUNLAR’<o:p></o:p></span></span></span></b></p><p class="MsoNormal" style="text-align: center;margin-top: 0cm; margin-right: -31.55pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; "><b><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">13 Eylül – 28 Ekim 2011<o:p></o:p></span></span></span></b></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: -31.55pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; "><b><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></b></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Pırıl Güleşçi Arıkonmaz tarafından kurulan ve 18 senedir kesintisiz olarak sanatsal faaliyetlerine devam etmekte olan </span></span></span><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Pg Art Gallery, 13 Eylül’de başlayacak olan kapsamlı sergi projesiyle, sanatı sıra dışı bir mekanda izleyicilerle buluşturuyor. Galerilerin steril ortamı yerine İstanbul’un dokusuna karışmış tarihi bir yapı olan Tahtakale Hamamı’nda, hazır giyim markası ROMAN’ın sponsorluğunda gerçekleşecek bu sergi, İstanbul Bienali ile eş zamanlı olarak başlayacak.<o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin-left: -14.2pt; text-align: justify; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Öznur Güzel Karasu’nun küratörlüğünde bir araya gelen farklı disiplinlerden 22 sanatçı ‘oyun’ kavramının farklı anlamlarından yola çıkarak gerçekleştirdikleri çalışmalarıyla, yaşamın her alanında karşılaştığımız oyunsal süreçleri ele alıyorlar. İçinde yaşadığımız toplumsal düzendeki rollerimizi, koskoca bir sistem içinde maruz kaldığımız oyunları, düşsel oyunlarımızı, tıpkı bir çocuk gibi dahil olduğumuz oyunları, neşeli oyunları, çıkar oyunlarını, kültürel yapıdaki oyunları, algı oyunlarını ele alırken aslında nasıl bir tekinsizlik içinde yaşadığımızı da vurguluyorlar. Sergide, başı belli olan ama sonu belirsizliklerle yüklü toplumsal düzeneklerden bir çıkış yolu aramanın da aracı haline geliyor sanat. İçsel güdülerle çıkılan zihinsel yolculukta, aklın arayışlarına dair denklemler çıkıyor karşımıza.<o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><b><u><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Sergide yer alan sanatçılar<o:p></o:p></span></span></span></u></b></p><p class="MsoNormal" style="margin-left: -14.2pt; text-align: justify; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Özgül Arslan, Sena Başöz, Burak Bedenlier, Itır Demir, Eda Gecikmez, Nurcan Gündoğan, Reysi Kamhi, Devabil Kara, Hacer Kıroğlu, Komet, Devran Mursaloğlu, Günnur Özsoy, Neriman Polat, anti-pop, Gonca Sezer, Ayşe Gül Süter, Jerome Symons, Candaş Şişman, Kemal Tufan, Sevil Tunaboylu, Ayla Turan, İlke Yılmaz.<o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-top: 0cm; margin-right: 60.4pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; "><b><u><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Tahtakale Hamamı<o:p></o:p></span></span></span></span></u></b></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 3.9pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; text-align: justify; "><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-top: 0cm; margin-right: 3.9pt; margin-bottom: 10pt; margin-left: -14.2pt; "><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">2. Mehmet Dönemi (1451-1481)’nde inşa edilmiş, İstanbul’un en eski Osmanlı eserleri arasında yer alan Tahtakale Hamamı, aynı zamanda İstanbul’un en büyük hamamlarından biridir. Birinci Dünya Savaşı”ndan sonra Vakıflar İdaresi tarafından satılan hamam, 1980</span></span></span></span><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">’</span></span></span></span><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">li yıllarda soğuk hava deposu olarak işlev görmüştür. Tarihi hamam, Eminönü ve İstanbul’un buz ihtiyacını karşılarken, peynir stoklamak için de kullanılmıştır. Yapı, Doğan Kuban tarafından restore edilmiştir ve günümüzd</span></span></span></span><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">e iş hanı olarak kullanılmaktadır.</span></span></span><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></span></p><p class="MsoNormal" style="text-align: justify; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;" align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Tahtakale Hamamı<o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;" align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Uzunçarşı Cd. No: 329<o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;" align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Eminönü İstanbul<o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;" align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">
<br /></span></span></span></p><p class="MsoNormal" style="text-align: left; " align="center"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-family:'courier new';"><span class="Apple-style-span" style="font-size:medium;"></span></span></span></p><span style="color:#17365D;"><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><b><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">‘UNCANNY GAMES’<o:p></o:p></span></span></span></b></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><b><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">September 13 - October 28, 2011<o:p></o:p></span></span></span></b></p><p class="MsoNormal" style="margin-left: -14.2pt; text-align: justify; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Pg Art Gallery was founded 18 years ago by Pırıl Güleşçi Arıkonmaz. Since then it has constantly worked to put together new artistic events.. In September and October, the gallery will be presenting contemporary art for viewers in an extraordinary space with a comprehensive exhibition project. Instead of the sterilized atmospheres of regular galleries, the exhibition will be held in the historic Tahtakale Hamam, a location in harmony with the architectural spirit of İstanbul. Sponsored by the ROMAN, the event will be launched simultaneously with the İstanbul Biennial.<o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin-left: -14.2pt; text-align: justify; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Curated by Öznür Güzel Karasu, the exhibition brings together 22 artists from various disciplines, exploring different meanings of the concept of “game” through their works and delving into the processes of play that we encounter in every aspect of life. The various games we play essentially highlight the state of uncanniness in which we live. These include the games we play while dealing with our roles in the social order, the games we are exposed to in such an enormous system, our fictional games, the games of our childhood: cheerful games, games of partiality, cultural games, and games of perception. In the exhibition, art also becomes a tool for seeking a way out of the social machinery we are all born into, but the end of which is unclear. During these intellectual journeys sparked by instinct, we encounter equations related to the mind’s explorations.<o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: justify; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-top: 0cm; margin-right: 60.4pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; "><b><u><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Artists featured in the exhibition:</span></span></span></span></u></b><b><u><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></u></b></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 60.4pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; text-align: justify; "><b><u><o:p><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><span style="text-decoration: none; "></span></span></span></span></o:p></u></b></p><p class="MsoNormal" style="text-align: center;margin-left: -14.2pt; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Özgül Arslan, Sena Başöz, Burak Bedenlier, Itır Demir, Eda Gecikmez, Nurcan Gündoğan, Reysi Kamhi, Devabil Kara, Hacer Kıroğlu, Komet, Devran Mursaloğlu, Günnur Özsoy, Neriman Polat, anti-pop, Gonca Sezer, Ayşegül Süter, Jerome Symons, Candaş Şişman, Kemal Tufan, Sevil Tunaboylu, Ayla Turan, İlke Yılmaz.<o:p></o:p></span></span></span></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 60.4pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; text-align: justify; "><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></p><p class="MsoNormal" style="text-align: center;margin-top: 0cm; margin-right: 60.4pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; "><b><u><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Tahtakale Hamam:<o:p></o:p></span></span></span></span></u></b></p><p class="MsoNormal" style="margin-top: 0cm; margin-right: 3.9pt; margin-left: -14.2pt; margin-bottom: 0.0001pt; text-align: justify; "><span lang="TR"><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><o:p></o:p></span></span></span></span></p><p class="MsoNormal" style="text-align: center;"><span><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">Built during the reign of Sultan Mehmed II (1451-1481), Tahtakale Hamam is among the oldest historic works of art in the Ottoman Empire and it is also one of the largest Turkish baths. Following World War I, it was sold by the Directorate General of Foundations and used for storing ice and cheese in the 1980s. Doğan Kuban later restored the structure and it is currently being used as an office block.</span></span></span></span></p><p class="MsoNormal" style="text-align: center;"><span><span class="Apple-style-span" style="color:#666666;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';">
<br /></span></span></span></span></p><p class="MsoNormal" style="text-align: center;"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 340px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSrCk1L7qzhniu-PCDEstSI0-YhVB4MByUZRAH07QspxfcYAx89-_awOaM4NzzUWwV6DKdamVVS2WXsBG-Ags5XwJUXX3zv4VC9IuzdL1hTybs3NxJRMbqV3rrlqWEaXJCKUtKpsqslCI/s400/Eda+Gecikmez.jpg" alt="" id="BLOGGER_PHOTO_ID_5640711301931632770" border="0" /></p></span></div><div>
<br /></div><div><img style="text-align: center;display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; cursor: pointer; width: 400px; height: 263px; " src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQnibP2unOeoGo77iLmPJaQLHrZy-fJ0eo_oQbJ3ZDWlbbY4u_YctPdWruD7zq2GZkPIzXMxGBaj8s8P7EN0HSaa_on1QCmCwo9sZCMNJKCCLj5yROpKMAJZ1G6usi4e4vmqmFz-bGgV4/s400/anti-pop+%2527Disneyland%2527.jpg" alt="" id="BLOGGER_PHOTO_ID_5640695095096829890" border="0" /><div style="text-align: center;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><b>anti-pop</b> 'disneyland'</span></span></div><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKFbkxhXBM6EkUHaZ1WPzvUDTE7CGpFUFIX91qsv7i7Zr-Bl1J7yguGXKmDJeXSW5b0TfbFyo6NLT92xZsQcX8WN4fP8JfsRpkIiaR_YuS7srRiCTdoSpGF8Zu1sseJDbFH8jy4UZjXM4/s1600/Tahtakale+Hamam%25C4%25B1.jpg"></a></span></span></div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Lv-Bd0ZwwOX0-btTMCZThu7JVhX362dzAeafKTxXysCag12mai5N4SRK1XvEyhj8gdaUr9Hr1oxUIXn89qpPtewcQJOh_N2BsOOE3KViwl2nl2OLKo_qJFZHTFVpdRnhMAtbJWXDFzA/s1600/Kemal+Tufan+%2528detay%2529.jpg"><img style="text-align: center;display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; cursor: pointer; width: 400px; height: 267px; " src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8Lv-Bd0ZwwOX0-btTMCZThu7JVhX362dzAeafKTxXysCag12mai5N4SRK1XvEyhj8gdaUr9Hr1oxUIXn89qpPtewcQJOh_N2BsOOE3KViwl2nl2OLKo_qJFZHTFVpdRnhMAtbJWXDFzA/s400/Kemal+Tufan+%2528detay%2529.jpg" alt="" id="BLOGGER_PHOTO_ID_5640695084014388194" border="0" /></a><div style="text-align: center;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><b>Kemal Tufan</b></span></span></div></div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLN_BKUWR_yumVXHa4N1Wqm71TDVhYZbCisSL8qNdZH1jXAHwr3NnZsAgTguDuRMSIracwOueDCXYZGr5Am_IV-KgKWviT6AhZ-PWJBXkeG81OQxIDRrLZ8yxrEyR6IA4Y4TlruhAVWiQ/s1600/It%25C4%25B1r+Demir.jpg"><img style="text-align: center;display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; cursor: pointer; width: 267px; height: 400px; " src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLN_BKUWR_yumVXHa4N1Wqm71TDVhYZbCisSL8qNdZH1jXAHwr3NnZsAgTguDuRMSIracwOueDCXYZGr5Am_IV-KgKWviT6AhZ-PWJBXkeG81OQxIDRrLZ8yxrEyR6IA4Y4TlruhAVWiQ/s400/It%25C4%25B1r+Demir.jpg" alt="" id="BLOGGER_PHOTO_ID_5640695079575765810" border="0" /></a><div style="text-align: center;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><b>Itır Demir</b></span></span></div></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1yEVbtROHzXdjYNqFcSu6_GD3kWboFPsc8MgTrmUTfOcJ1BPqapAYCvsGavg1YDoP8U3lGoHuXFMuYBLPTaZ2UrPc7UEWlNDG6-h-KKPbBvv-jdT9Zv4TfuVNisc0Wz0sBm65BFKogo8/s1600/KART+KUTU-turuncu.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 294px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1yEVbtROHzXdjYNqFcSu6_GD3kWboFPsc8MgTrmUTfOcJ1BPqapAYCvsGavg1YDoP8U3lGoHuXFMuYBLPTaZ2UrPc7UEWlNDG6-h-KKPbBvv-jdT9Zv4TfuVNisc0Wz0sBm65BFKogo8/s400/KART+KUTU-turuncu.jpg" alt="" id="BLOGGER_PHOTO_ID_5640723506840152722" border="0" /></a><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'courier new';"><b>Reysi Kamhi</b></span></span>
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<br /></div></div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-56888061163951032682011-07-02T01:17:00.000-07:002011-07-02T01:18:43.991-07:00Milliyet Sanat Proust Anketi sorularını bu ay Yavuz Tanyeli yanıtladı...<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0scKhypLrODnDUIXv4lyuvvsJdNo56vFq33RIpDDx0ob-beDjd5ApQxLGR4DiuDndIl-YOZIKZUHJuynSFf44XNEu5scwgaX2EpOitIPPwWX-c_OWr-3g9_xfQFaR5UlfmWnqdU5GNaM/s1600/Scan.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 286px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0scKhypLrODnDUIXv4lyuvvsJdNo56vFq33RIpDDx0ob-beDjd5ApQxLGR4DiuDndIl-YOZIKZUHJuynSFf44XNEu5scwgaX2EpOitIPPwWX-c_OWr-3g9_xfQFaR5UlfmWnqdU5GNaM/s400/Scan.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5624666313232255186" /></a>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-7648588818204777072011-06-16T02:58:00.000-07:002011-06-16T03:02:15.291-07:00Ellerine Bak Sergi Açılışı<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNrIkQgKtau0cL0JvygkFF03Ho_sY0I7ArvemIu2-xrYMCIDvkhJDFC8nsQcusjHTkCSgiTgB-pWL04dEERdsQKx13CMqaEQAU7VtjPJA9JYCgOS59oGzjpdgPTcmu716dR7sBgcfji8E/s1600/Picture+6.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 264px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNrIkQgKtau0cL0JvygkFF03Ho_sY0I7ArvemIu2-xrYMCIDvkhJDFC8nsQcusjHTkCSgiTgB-pWL04dEERdsQKx13CMqaEQAU7VtjPJA9JYCgOS59oGzjpdgPTcmu716dR7sBgcfji8E/s400/Picture+6.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5618755641046349298" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQASOuhRpM7VZMvKJGx2sccze5BqTugz4TdctUX1Lo2ZYgBJ_it36oMTRDUI_21wFpIVWBYrpuOZOCyerSSyoY_7odYhRNWNjPrAJAidFowojSuh0KZoTuSXAxOJiLtt_NkHgD_LgKcuA/s1600/Picture+5.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 269px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQASOuhRpM7VZMvKJGx2sccze5BqTugz4TdctUX1Lo2ZYgBJ_it36oMTRDUI_21wFpIVWBYrpuOZOCyerSSyoY_7odYhRNWNjPrAJAidFowojSuh0KZoTuSXAxOJiLtt_NkHgD_LgKcuA/s400/Picture+5.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5618755632087701170" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMdW4TK6v6KDSK-38qx3Rto_EuMqYUyaj1GcLWuNHaYGprKk4l6aTHqh5xSto60-MhXjEUGOn2cN3u74P91KrEHpWbWI00AZNtgNlj9XtwRmtOdhk6vHi_CcDjPvGDXdbTuC-5ZnHC_4/s1600/Picture+4.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 268px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMdW4TK6v6KDSK-38qx3Rto_EuMqYUyaj1GcLWuNHaYGprKk4l6aTHqh5xSto60-MhXjEUGOn2cN3u74P91KrEHpWbWI00AZNtgNlj9XtwRmtOdhk6vHi_CcDjPvGDXdbTuC-5ZnHC_4/s400/Picture+4.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5618755624939428562" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT9N3a2eSA_GcCZBPDZE9Ms8NQPxZ50o8cMSJOJ8WDKTmZxyDpB1A-8lt7_OB12VFrjKWxC1tTlHQFXfoqxgnAHT1xKDtT9GPAxRUsEwQRQcVPgUBQXziKV0TCj3N9RPWwJ_0Hs6yGVbg/s1600/Picture+2.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 268px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT9N3a2eSA_GcCZBPDZE9Ms8NQPxZ50o8cMSJOJ8WDKTmZxyDpB1A-8lt7_OB12VFrjKWxC1tTlHQFXfoqxgnAHT1xKDtT9GPAxRUsEwQRQcVPgUBQXziKV0TCj3N9RPWwJ_0Hs6yGVbg/s400/Picture+2.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5618755620105708722" /></a>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-86655332768434729322011-06-10T04:20:00.000-07:002011-06-10T04:54:27.926-07:00Pg ArtSpace'dek' Son Açılışımız _ t e ş b i h<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlpaSVp306XEu7eF3qxDUXJwi7ZSeg4tj_EAFU_hyPNb3Zvf7WZSXn1J8_NLQX88nOpLZx35g7HkLf6PFffKoaKimox3ohi2WeY4x7v7_sDLJmiLb4wNPDn3SMPxeLK_km6M9DjbUInVU/s1600/DSC01836.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlpaSVp306XEu7eF3qxDUXJwi7ZSeg4tj_EAFU_hyPNb3Zvf7WZSXn1J8_NLQX88nOpLZx35g7HkLf6PFffKoaKimox3ohi2WeY4x7v7_sDLJmiLb4wNPDn3SMPxeLK_km6M9DjbUInVU/s400/DSC01836.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616558088069816850" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivelRfRJJ7EPbDTqiWfW8M7ULZlHF-v2yfN6bNSmE-w5FTI-N71WF-18yHJ29mU5DtfGAkacBm6hTgQeHFC_ISDRp7YAq-Dh1IGbm0OWQofJI8odFomDSPVC1deGq7dD7b2QxU-Q3n0pc/s1600/DSC01785.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivelRfRJJ7EPbDTqiWfW8M7ULZlHF-v2yfN6bNSmE-w5FTI-N71WF-18yHJ29mU5DtfGAkacBm6hTgQeHFC_ISDRp7YAq-Dh1IGbm0OWQofJI8odFomDSPVC1deGq7dD7b2QxU-Q3n0pc/s400/DSC01785.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616558082382597138" /></a><br /><div style="text-align: center;"><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn9wyeasAzoJaAT8IWW7NdgGg5fR38LEJnbAk4Nv8EC5p1TNrn_7qk_L8Lz4pyU2KdLReyDXsyfsrYzwPupjvwc-Da5pko8TBsptVigVmQybi9WZWF9toMcJ2Mv7Q0YZlI89AnSwjh-Eo/s1600/DSC01787.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilqOdMjwlDkH4wtmoDs4mQtryEy3kIkXRudZJ4Yr1zKvlzFOxIPtvZYyKDDsGIHdueOWJHS3LPLFomi2d0JG2OU9Ikcb9qsexyE7mCT-l1VdQKqZqmXvtObDUtO_JVpBCaLzq2OyOkNzU/s1600/DSC01719.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; 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margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOZJ0WCpFE3MluraKQEjvzw1L0VITbTfq_9QMm3ZtWF1QG9OhfdRQdg2kQXTJp5LwzH1jab9rVBTyoobOROA2xwba-s4mkCLm7Blp9oeF8Xu6iPEr9Qsn_-yrYvd7wclsFqRGDkIP8C_8/s400/DSC01811.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616554725439868066" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinbA0Lp6eqs_F1ohT2uM6uS9FVYzEi9wjiFRejR0GT0VLYOELrdu5_miSZC8ktncn5aZkEOHe22ZztG1v_evfs2e1pfJEAAaXjK7rV6QsH88u6Rv5FLTLq2KDto2B4M4vfwYPEKD7lq6Y/s1600/DSC01774.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinbA0Lp6eqs_F1ohT2uM6uS9FVYzEi9wjiFRejR0GT0VLYOELrdu5_miSZC8ktncn5aZkEOHe22ZztG1v_evfs2e1pfJEAAaXjK7rV6QsH88u6Rv5FLTLq2KDto2B4M4vfwYPEKD7lq6Y/s400/DSC01774.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616554716755201058" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyxRlmxKKH9yIUvhC-08zPew_GcBNY3XNlGmWcuEiMfaCNFysV32U9VnLnNFvArgNK2hoWj8DpVN9bKuGo4y8j5nFYpvlYyGeyTMYEl3m9P1BydWOc2MfcAZEIo4_4LjWJ_DTV7PRuSRA/s1600/DSC01709.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 255px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyxRlmxKKH9yIUvhC-08zPew_GcBNY3XNlGmWcuEiMfaCNFysV32U9VnLnNFvArgNK2hoWj8DpVN9bKuGo4y8j5nFYpvlYyGeyTMYEl3m9P1BydWOc2MfcAZEIo4_4LjWJ_DTV7PRuSRA/s400/DSC01709.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616554703288587986" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisZ6Qdt7elRJtY-ObMQegZum84I5wDIqoV_5ZisL3SlPLwnguLLMJyTmrR682axzJuG5th9oqYYv3j92b0mh4Vl4zgXpqcmMq2H-Pm6rqmDy7cKZXB4NM3Fn8Am0TUjacxaCkPy9pcnDY/s1600/DSC01839.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisZ6Qdt7elRJtY-ObMQegZum84I5wDIqoV_5ZisL3SlPLwnguLLMJyTmrR682axzJuG5th9oqYYv3j92b0mh4Vl4zgXpqcmMq2H-Pm6rqmDy7cKZXB4NM3Fn8Am0TUjacxaCkPy9pcnDY/s400/DSC01839.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616554692954799890" /></a>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-23588558732989187562011-06-09T02:43:00.000-07:002011-06-09T02:47:19.359-07:00t e ş b i h _ Yavuz Tanyeli<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKteBaJcbF1yrH7U2a-LW5fxLyKyPOGGJivB_FdUitk8nCLVldRIF7AsKiYZJEBI7d3nv3ZD6ZJuQVQTdIVVA3D0DiQZedB9AWUpzhyphenhyphenO2NejDlDbpEOCOiKOs6JhbUjJpMdESpgEInpbE/s1600/Picture+7.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 262px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKteBaJcbF1yrH7U2a-LW5fxLyKyPOGGJivB_FdUitk8nCLVldRIF7AsKiYZJEBI7d3nv3ZD6ZJuQVQTdIVVA3D0DiQZedB9AWUpzhyphenhyphenO2NejDlDbpEOCOiKOs6JhbUjJpMdESpgEInpbE/s400/Picture+7.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5616154260907623314" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG69CANbTlUBvu0BW5rps3w2G3QCYNKU1-7eidnu765iUdr-VrozTFzajzSLVRmFL8O3-efK73kxX9IRwibUriLTotE2GY0Rk41SvrgLkCDod2b1plrj7yrZubyjfJ7dWOgbNi3i3ieE4/s1600/Picture+9.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 307px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG69CANbTlUBvu0BW5rps3w2G3QCYNKU1-7eidnu765iUdr-VrozTFzajzSLVRmFL8O3-efK73kxX9IRwibUriLTotE2GY0Rk41SvrgLkCDod2b1plrj7yrZubyjfJ7dWOgbNi3i3ieE4/s400/Picture+9.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5616154250349079570" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA4FKj0ffglZ3eOkXTLbOboH70lrEhEBXutJgJV40ik43AIuObo3xSt_pLrBNm6Uo8je4ifdoVX2Tzh_OFbmaB9FHIvNbtDkxBMu8-yP18bT6c5vPa7uTQD3U0H41HNt0q0dowMQ5jyLg/s1600/Picture+8.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 264px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA4FKj0ffglZ3eOkXTLbOboH70lrEhEBXutJgJV40ik43AIuObo3xSt_pLrBNm6Uo8je4ifdoVX2Tzh_OFbmaB9FHIvNbtDkxBMu8-yP18bT6c5vPa7uTQD3U0H41HNt0q0dowMQ5jyLg/s400/Picture+8.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5616154238926708418" /></a><span class="Apple-style-span" style="font-size: small;"><br /></span><span class="Apple-style-span" style=" border-collapse: collapse; color: rgb(51, 51, 51); line-height: 15px; font-family:'lucida grande', tahoma, verdana, arial, sans-serif;"><span class="Apple-style-span" style="font-size: small;">Türk resim sanatının önemli isimlerinden Yavuz Tanyeli ‘Teşbih’ adlı sergisi ile Pg ArtSpace’te izleyicilerle buluşuyor.<br />Pg Art Gallery sanatı şehrin farklı alanlarına taşımak amacıyla hayata geçirdiği Kemerburgaz Country Life inşaat alanında yer alan Pg ArtSpace’te Mithat Şen, Devabil Kara, Günnur Özsoy ve Mike Berg sergilerini sanat severlerle buluşturmuştu. Pg ArtSpace’in 15 aydır süren sanat maratonu, Yavuz Tanyeli’nin 9 Hazi</span><span class="text_exposed_show" style="display: inline; "><span class="Apple-style-span" style="font-size: small;">ran’da açılacak olan ‘t e ş b i h’ sergisiyle son buluyor.<br />Son dönem resimleriyle karşımıza çıkacak olan Tanyeli, renk kütleleri, formasyon- deformasyon ikileminde salınan figürleri ve simgesel nesneleriyle yine dünyaya, olaylara bakışını yansıtma çabasıyla hareket ediyor. </span></span></span>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-21916090800500614712011-06-09T02:38:00.000-07:002011-06-09T02:41:22.225-07:00Tinsel Deneyimler Açılış<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdPPmL084KNUhLf7lfLrtY4KlD7X1KISAKPqQp-nZO9GQ6YdUSP-75Pov6QZ6nYgu5htOLc0CIoAgDrTUFK_7cO8rzH1Awz9Wx5jVkxj2qZXfUEF2IodpgND-cpgW1obELaYlIn0HznBQ/s1600/Picture+13.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 287px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdPPmL084KNUhLf7lfLrtY4KlD7X1KISAKPqQp-nZO9GQ6YdUSP-75Pov6QZ6nYgu5htOLc0CIoAgDrTUFK_7cO8rzH1Awz9Wx5jVkxj2qZXfUEF2IodpgND-cpgW1obELaYlIn0HznBQ/s400/Picture+13.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5616152787453512690" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-6jlvGT2F8dIozc9Ko51uCBmozVL-SpPEQd_JBd1TZ3daUKyeGrp6ObX93cvMWM4sgaKUiVX2Ew3q2mOTg1_5A3cRFbBXSU61mKjqPyD9wmyeS06XkHPYbcgGa0u5zkRP1a_2ufL8FqU/s1600/Picture+10.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 265px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-6jlvGT2F8dIozc9Ko51uCBmozVL-SpPEQd_JBd1TZ3daUKyeGrp6ObX93cvMWM4sgaKUiVX2Ew3q2mOTg1_5A3cRFbBXSU61mKjqPyD9wmyeS06XkHPYbcgGa0u5zkRP1a_2ufL8FqU/s400/Picture+10.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5616152777846221602" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8ulzUe9OUCvl2k_ORY46gIEmPmmbKPk01ccrdBTGjpdvsM70HbdQl6QjkfKtyaT_7vqkmER3yWmvEYOwXPKKs3j9E0qUm60_IgH63DBFp-n8JRdEmJxJYaDm6pTfoVgA0b0ZhFptE-Jk/s1600/Picture+12.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 263px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8ulzUe9OUCvl2k_ORY46gIEmPmmbKPk01ccrdBTGjpdvsM70HbdQl6QjkfKtyaT_7vqkmER3yWmvEYOwXPKKs3j9E0qUm60_IgH63DBFp-n8JRdEmJxJYaDm6pTfoVgA0b0ZhFptE-Jk/s400/Picture+12.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5616152770760841250" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZWdCPKsV0ZUnGtLSjZZeacwwVIs6ITHGfZSzBWALjQT1tahA1cihj2kVshFotclETUfExXwpoLt6UhYHPtYprruA1GAG4V_643ciLPa6BQ6xTlkcKOActPSEDLZQGfO67lXvw6mrf_AQ/s1600/Picture+11.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 265px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZWdCPKsV0ZUnGtLSjZZeacwwVIs6ITHGfZSzBWALjQT1tahA1cihj2kVshFotclETUfExXwpoLt6UhYHPtYprruA1GAG4V_643ciLPa6BQ6xTlkcKOActPSEDLZQGfO67lXvw6mrf_AQ/s400/Picture+11.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5616152761839636706" /></a>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-20909361182999507882011-06-09T01:41:00.000-07:002011-06-09T01:51:23.730-07:00Tinsel Deneyimler<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHv6Ify9sh0SrFWv5v0axS0hYEdvkWoetamII883eGUoz-l26Wz40UDaKuchyBg7InYwODU8oqa9cjjOMrnnXM_y39djDJ3dH_b5fPOUfHv5UbbjxLYvlo1fn8fZK-fEgAFLkxDY-D8rU/s1600/Tinsel+Deneyimler_1.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHv6Ify9sh0SrFWv5v0axS0hYEdvkWoetamII883eGUoz-l26Wz40UDaKuchyBg7InYwODU8oqa9cjjOMrnnXM_y39djDJ3dH_b5fPOUfHv5UbbjxLYvlo1fn8fZK-fEgAFLkxDY-D8rU/s400/Tinsel+Deneyimler_1.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616139345554050818" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrSiMOpNMDiJE5XJmZ8nRLFMM5J7-3_n3Gi9jAswcBFPmjjluPnWtrO-Gfbdd7YM5dr6bLrrQZS17rsc4KVi9kwZ2ggqouCmFeFtipnDgo3EXpOxd4G_xqCokqar5kBupgk95hx-arOEk/s1600/Tinsel+Deneyimler_8.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrSiMOpNMDiJE5XJmZ8nRLFMM5J7-3_n3Gi9jAswcBFPmjjluPnWtrO-Gfbdd7YM5dr6bLrrQZS17rsc4KVi9kwZ2ggqouCmFeFtipnDgo3EXpOxd4G_xqCokqar5kBupgk95hx-arOEk/s400/Tinsel+Deneyimler_8.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5616139336446789250" /></a><br /><div>Pg Art Gallery, 17 Mayıs - 11 Haziran tarihleri arasında Günnur Özsoy'un Tinsel Deneyimler sergisine ev sahipligi yapıyor.<br /><div style="text-align: center;"><br /></div></div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-4214326541481083812011-05-06T03:51:00.000-07:002011-05-06T03:53:03.473-07:00Ayşegül Sönmez'in 'Üç Sergiden Üç Resim' başlıklı yazısından<div>Reysi Kamhi/ PG Art Gallery</div><div><br /></div><div>Pg Art galerisi Tophane’ye taşındı. Kapılarını karma bir sergiyle açtı. Karma sergide Reysi</div><div>Kamhi’nin defteri ve defterinden çıkan resimleri, kentin hızla değişimine ve dönüşümüne</div><div>odaklanan bir projenin bölümleri. Kamhi, elinde defteri ve renkli boya kalemleri,</div><div>Asmalımescit’i pilot bölge seçerek ressamca bir araştırma yapmış. Bütün esnafla görüşüp</div><div>onların ruh hallerini sorgulamış. Asmalımescit’in giderek İstanbul’un en gözde eğlence semti</div><div>oluşunun onların üzerindeki etkilerini merak etmiş. Sonuçta kimle görüştüyse bu durumdan</div><div>hoşnutsuz olması Kamhi’yi şaşırtmış. Esnaf, hep eski günleri anıyor, bu kalabalıktan</div><div>fena halde sıkıldıklarını anlatıyormuş. Bütün bu mutsuz esnaf ve işlettikleri mekanlar işte</div><div>sergideki o defterde ve ona eşlik eden küçük ebattaki resimlerde. Kamhi, defter formatıyla</div><div>bu kentsel dönüşümün bireyler üzerinde yarattığı izleri mahremiyet içinde sergileme fırsatı</div><div>yakalamış. Defterden süzerek duvara astığı resimler bu mahremiyeti zedelememeyi ve Mısır</div><div>apartmanındaki o beyaz bank gibi çok tanıdık, sık sık geçtiğimiz iç mekanlara ait objelere</div><div>yeni bir yaşama alanı kazandırmayı başarmış.</div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-13309958280173090912011-05-06T02:50:00.001-07:002011-05-06T03:04:31.919-07:00Dolanbay - ‘untitled act’ 2011<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc0c_l8Y7LJ4wy2ZiH8Ka7dbbSK_fivpJlDxeUd8ZuNogjo8STeRCud8qpouhSRYTWYcHbtlDdOzg9BiC6H2B-3cNhyEv82YeyDE0NpCu7kSE_vYe-uUGPdaEa6nJwArUzF9OoRZNHpS4/s1600/P1010622.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 224px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc0c_l8Y7LJ4wy2ZiH8Ka7dbbSK_fivpJlDxeUd8ZuNogjo8STeRCud8qpouhSRYTWYcHbtlDdOzg9BiC6H2B-3cNhyEv82YeyDE0NpCu7kSE_vYe-uUGPdaEa6nJwArUzF9OoRZNHpS4/s400/P1010622.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5603540963387313298" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhb7BKwc5XkH45-ZFAoaCT1zu7sdXhHHBYijC5wUCNkx5J1Ugj8H-CewU9vvTOSvyzju970Z59jQr1rGoU90cAl3bVoPEyKXMLaY9RLCgd46-FvXEk3_yPgqatVJQ7fLajNxxFB74hhDU/s1600/P1010646.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 224px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhb7BKwc5XkH45-ZFAoaCT1zu7sdXhHHBYijC5wUCNkx5J1Ugj8H-CewU9vvTOSvyzju970Z59jQr1rGoU90cAl3bVoPEyKXMLaY9RLCgd46-FvXEk3_yPgqatVJQ7fLajNxxFB74hhDU/s400/P1010646.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5603540887208547042" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwWdO2ZMHxr3RHSUyzk-NESJm68i1WqFgYEz7W3fCdSIatFfw2eV-YN51RLUqMYWcpiHnLStoGji2FQiZknXubvzAAlRM5AjNgObNvAKBp9k_h5Wbqc_mZx226Az9jewQP4pPapYFM_Xk/s1600/P1010682.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 224px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwWdO2ZMHxr3RHSUyzk-NESJm68i1WqFgYEz7W3fCdSIatFfw2eV-YN51RLUqMYWcpiHnLStoGji2FQiZknXubvzAAlRM5AjNgObNvAKBp9k_h5Wbqc_mZx226Az9jewQP4pPapYFM_Xk/s400/P1010682.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5603540805038565234" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeNOVNtK-EDjAGDb-A1dwVEWxlKnVoBzxglqPLyKPNtGRApVNu2tVNAcNiVbinGlymJzsvEj76Te0ff74gczPoOdAO8MAJNO2cmL7MjvlMK2BvuLfGsspyl-Pc6-oeruth2liNjWYU2v4/s1600/P1010920.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 224px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeNOVNtK-EDjAGDb-A1dwVEWxlKnVoBzxglqPLyKPNtGRApVNu2tVNAcNiVbinGlymJzsvEj76Te0ff74gczPoOdAO8MAJNO2cmL7MjvlMK2BvuLfGsspyl-Pc6-oeruth2liNjWYU2v4/s400/P1010920.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5603540703461818658" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUTyiViUOGHFfGl9gF_1cvy2HPEdNZLBwcEjEsICSgxeoKZe9uIjMi2HPZAlWLBZXzu0jCjOLWKvY_MjGUKex0qDQ7vwSsV4oay-3uIX60V9EyHwAVQrZDM_OkiptizyYsP_WTPDkiiBk/s1600/P1020016.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 224px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUTyiViUOGHFfGl9gF_1cvy2HPEdNZLBwcEjEsICSgxeoKZe9uIjMi2HPZAlWLBZXzu0jCjOLWKvY_MjGUKex0qDQ7vwSsV4oay-3uIX60V9EyHwAVQrZDM_OkiptizyYsP_WTPDkiiBk/s400/P1020016.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5603540605540620370" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDCfFfAcVqnA4n-f23tjtTaK4KII7PysAzwAcTB0O0-mpJGH_iShUiTtmnf8LyXLfNAAeiFvBn9trGZ8qhArsaJrZyU7Skf1NktWYmO1I_XVCE0_qOc9Fgjih15zxbvGmcIGhW3upt45I/s1600/P1020322.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 199px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDCfFfAcVqnA4n-f23tjtTaK4KII7PysAzwAcTB0O0-mpJGH_iShUiTtmnf8LyXLfNAAeiFvBn9trGZ8qhArsaJrZyU7Skf1NktWYmO1I_XVCE0_qOc9Fgjih15zxbvGmcIGhW3upt45I/s400/P1020322.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5603540482767480114" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJEOydm8e2Bd3INdDoDs2gH3TR-KxIrCFKR0p71vfkgapvJmbnThURICLj-GU0U2IyZaUO3_PuAI8WCii4_2v9uRyoBAB3E5KxCI_q0OXoEzR4OaDNjt4cMhijZ-_0h7uyMMQ8GjvURo/s1600/P1020332.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 199px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJEOydm8e2Bd3INdDoDs2gH3TR-KxIrCFKR0p71vfkgapvJmbnThURICLj-GU0U2IyZaUO3_PuAI8WCii4_2v9uRyoBAB3E5KxCI_q0OXoEzR4OaDNjt4cMhijZ-_0h7uyMMQ8GjvURo/s400/P1020332.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5603540367347055842" /></a><br /><div style="text-align: center;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></div><div style="text-align: justify;"><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">Dolanbay’ın Art Bosphorus sanat fuarında gerçek</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">leştirmiş olduğu projesi, performans sanatı, performatif enstalasyon ve </span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">resim sanatı kriterleri içerisinde k</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">endisine özgü bir çalışmadır. Sanatçı bu çalışmasında da tıpkı resimlerinde olduğu gibi bilinmezlikten hareketle yola çıkıyor. </span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">Bu proje, tahtadan bir platform üzerinde hacimli buz t</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">uğlalarla inşa edilmiş 3 metre uzunluğunda, 2 metre yüksekliğinde bir buz duvar üzerinde resim çalışmasıdır.</span></span></div><div> <p class="MsoNormal" style="text-align:justify"><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">Peki buz boya tutar mı, ya da buza resmetmek mümkün müdür?</span></span></p> <p class="MsoNormal" style="text-align:justify"><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">Burada temel olan yaklaşım, sanatçının sonucunu önceden öngöremeyeceği, alışık olmadığı bir süreç yaratmaktır. Buz kütlesini yaşam için bir metafor olarak </span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">düşünüyor sanatçı. Buz duvar üzerine uygulanacak boyanın seyri</span><span><span class="Apple-style-span" style="font-size:medium;"> </span></span><span class="Apple-style-span" style="font-size:medium;">bilinenler ile bilinmeyenler arasında bilinç akışı üzerine kurulan bir köprü gibidir. Süreç başladığında, tuval resimlerinde de olduğu gibi renk seçimi yapmadan, tuval gibi düşündüğü buz üzerine b</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">oya uygular. Kaygan yüzey ve erimeyle birlikte akan boya, buz üzerinde renkli, şekilli ve şekilsiz lekeler bırakır. Renkler, lekeler ve ‘ben’ arasındaki act-e</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">tken bir etkileşimden hareketle, renkler ve lekeler sürekli değişir. Leke katmanları oluşturularak devam edilen bu süreçte formlar oluşmaya başlar. Buz</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">un ısıya orantılı erime hızına göre oluşan formlar sürekli deforme olurlar. Deforme olan formları yeniden formlaştırma çabasıyla süreç, formasyon-deformasyon ikilemi arasında sürekli tekrarlanır. Bu süreçte yüzey, birden çok sayıda resme sahne olur. Buzun tamamen erimesi ve buz suyunun kuruması durumunda yerde sadece boya lekeleri kalır. Kalan lekeler yaşanan bir sürecin kalıntısıdır. Kalıntıyla yeni bir resim adına girilen diyalog</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size:medium;">, sürecin devamı olmakla beraber yeni bir performatif sürecin de başlangıcı olur.</span></span></p> <p class="MsoNormal" style="text-align:justify"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:Arial;color:#7F7F7F;"></span></span></p><p class="MsoNormal" style="text-align:justify"><span class="Apple-style-span" style="font-family:Arial;color:#7F7F7F;"><span class="Apple-style-span" style="font-size:medium;"><br /></span></span></p><p class="MsoNormal" style="text-align:justify"><span class="Apple-style-span" style="font-family:Arial;color:#7F7F7F;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></p> <p class="MsoNormal" style="text-align:justify"><span style="font-family:Arial;color:#7F7F7F;"><span class="Apple-style-span" style="font-size: small;">1988 yılında İstanbul’dan Londra’ya göç eden Dolanbay, akademik sanat öğrenimine Londra’daki çeşitli kolejlerde çizim dersleri alarak başladı. Birmingham’daki University of Central England’da 3 boyut tasarımı okudu. 1998 yılında Londra’da Westminister Üniv</span></span><span class="Apple-style-span" style=" color: rgb(127, 127, 127); font-family:Arial;"><span class="Apple-style-span" style="font-size: small;">ersitesi’nde Mixed Media Fine Art okumaya başladı. 2000 yılında Berlin Sanat Akademisi’nde (UDK) ‘Yeni Alman Resmi’ konulu bir araştırma çalışması yaptı. 2001 yılında ‘Yeni Alman Resmi ve Sosyo Politik İlişkisi’ başlıklı tezini yazdı. Çağdaş Resim Estetiği’ni araştıran bir proje başlatıp, grup çalışmaları düzenleyip, seminerler verdi. Çalışmalarını aynı yıl ‘Heavy Paintings’ başlığı altında topladı. Güzel sanatların çeşitli dallarında gördüğü öğrenimini Londra’da University of Westminister Resim Bölümü’nde üst derece onur diplomasıyla 2002 yılında tamamladı.</span></span></p></div><div> <p class="MsoNormal" style="text-align:justify"><span style="font-family:Arial;color:#7F7F7F;"><span class="Apple-style-span" style="font-size: small;">2003 yılında atölyesini Berlin’e taşıyan Dolanbay, Berlinli bir grup sanatçıyla 2005 yılında galeri ve atölyelerden oluşan, ticari olmayan bir sanat kurumu organize ettikten sonra ‘A’ projesi adı altında bağımsız sanatsal projeler hazırlayıp, sanat pratikleri için geçici platformlar oluşturdu. Londra, Berlin ve İstanbul’da grup sergisi projelerinde çalışmaları sergilendi. İlk kişisel sergisini ‘Heavy Paintings’ başlığıyla 2009 yılında Berlin Meinblau Galerisi’nde gerçekleştirdi. Dolanbay ‘Heavy Paintings’ çalışmalarını güncel sanat pratiğine taşıyarak günümüzde sürdürmektedir. </span><o:p></o:p></span></p> <p class="MsoNormal" style="text-align:justify"><span style="font-size:10.0pt; mso-bidi-font-family:Arial;font-size:12.0pt;color:#7F7F7F;"><o:p> </o:p></span></p> <!--EndFragment--> </div>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-19570606252730269142011-05-05T07:31:00.000-07:002011-05-05T07:33:25.687-07:00Yapı Dergisi - Mayıs 2011<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv9ZyL19NWUQekSSIACn3im2C_etQD0paezPakDOtdo2Nsqn8Zq4JJlY1Ue58-eJjb4MhjAhw6ReAleyXavHbKdMleKHl5Czb5f6uuifow6W64pFn3xmmSNmtoZIKKhq2U5_91Iz7Jy9s/s1600/Scan.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 310px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv9ZyL19NWUQekSSIACn3im2C_etQD0paezPakDOtdo2Nsqn8Zq4JJlY1Ue58-eJjb4MhjAhw6ReAleyXavHbKdMleKHl5Czb5f6uuifow6W64pFn3xmmSNmtoZIKKhq2U5_91Iz7Jy9s/s400/Scan.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5603239838125758098" /></a>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.comtag:blogger.com,1999:blog-534151841375918873.post-48100278288741550472011-04-24T06:10:00.000-07:002011-04-24T06:48:47.850-07:00'Art Sphere Istanbul' Açılış<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOFI_-tq8X2m6SteylDxemyB9micfbTbIYivSd1I7dr3sdA4H4SU5L0Vk38TInWF7zGkr8VhcMpBHic-CC_WxraFRZhiEACHhivU2CdgAzdiLWIUO-ax-1D7jrDMHplIrUUgw2W5MxYrk/s1600/DSC01057.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; 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margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqcnKaAp4qjCduSoUhD926ZzeGjgT2cuOqof2vxbMPeVratOj0oASL4i1Ntd3gRnh_AMShiWbGnES8LsUkzSBuYCbaaPn4zW2sUthLqmtqyewj-Py2T63HOtcThL4mZxYAeffHcOwS_vU/s400/DSC01013.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5599145880724873922" /></a>Pg Art Galleryhttp://www.blogger.com/profile/17794408944135106571noreply@blogger.com